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The Greek word katholikos means "general" or "universal." It refers most commonly to the Christianity that is in communion with the pope and the Church of Rome, that is, the beliefs and practices of a Catholic Church. The modern ecumenical movement often refers to all Christians as sharing in the church's Catholicism, which is derived from the universal headship and reign of Christ. According to the 2021 census, 10.9 million Canadians (29.9 per cent) identified as Catholic.

Manitoba’s “francophonie” is the term used to designate French-speakers in Manitoba, historically referred to as “Franco-Manitobans.” Changes in 2017 to the name of the Société de la francophonie manitobaine (formerly the Société franco-manitobaine) and the definition of “francophone” in the provincial law on French language services reflect the changing nature of the community itself. The core of Manitoba’s francophones is formed by descendants of voyageurs as well as settlers from Québec and Europe, but since the early 2000s the community has seen a growing number of immigrants from non-European countries as well as an increasing integration of francophones for whom French is not their first language.

Since time immemorial Indigenous peoples in Canada have been using plants and other natural materials as medicine. Plant medicines are used more frequently than those derived from animals. In all, Indigenous peoples have identified over 400 different species of plants (as well as lichens, fungi and algae) with medicinal applications. Medicine traditions — the plants used, the ailments treated, protocols for harvesting and application, and modes of preparation — are similar for Indigenous peoples across the country. In many Indigenous communities, there are recognized specialists trained in traditional medicine, and their practice often reflects spiritual aspects of healing as well as physical outcomes. In many cases, the therapeutic properties of Indigenous medicines are attributable to particular compounds and their effects on the body, but in other instances, their application is little understood by western medical practitioners. Within Indigenous communities, specific methods of harvesting and preparation of medicines are considered intellectual property of particular individuals or families.

Hugh Burnett, civil rights activist, carpenter (born 14 July 1918 in Dresden, ON; died 29 September 1991 in London, ON). Burnett was a key figure in the fight for anti-discrimination legislation in Ontario. Through the 1940s and early 1950s, he organized tirelessly against racial discrimination in public service in his hometown of Dresden, Ontario, rising to prominence as a leader and organizer of the National Unity Association (NUA), a coalition of Black community members pushing for equal rights in Dresden and the surrounding area. He was instrumental to in bringing about legislative and legal victories for civil rights at the provincial level related to the 1954 Fair Accommodation Practices Act, an early anti-discrimination law in Ontario.

Force 136 was a branch of the British Special Operations Executive (SOE) during the Second World War. Its covert missions were based in Japanese-occupied Southeast Asia, where orders were to support and train local resistance movements to sabotage Japanese supply lines and equipment. While Force 136 recruited mostly Southeast Asians, it also recruited about 150 Chinese Canadians. It was thought that Chinese Canadians would blend in with local populations and speak local languages. Earlier in the war, many of these men had volunteered their services to Canada but were either turned away or recruited and sidelined. Force 136 became an opportunity for Chinese Canadian men to demonstrate their courage and skills and especially their loyalty to Canada.

Angela Sidney (née Johns), (Stóow Ch’óonehte’ Máa), CM, Elder, storyteller, author (born 4 January 1902 near Carcross, YT; died 17 July 1991 in Whitehorse, YT). Of Tagish and Tlingit descent, Sidney was one of the last fluent speakers of the Tagish language. A storyteller, Sidney recorded and preserved the stories, traditions, languages, place names and genealogies of her people. She was the first Indigenous woman from Yukon to be appointed to the Order of Canada.

Marie-Anne Day Walker-Pelletier, CM, chief (born 15 April 1954 in Regina, SK). Day Walker-Pelletier is the longest-serving elected chief in Canadian history. She was chief of Okanese First Nation, located near Fort Qu’Appelle, Saskatchewan, from 1981 to 2020. During her long career, Day Walker-Pelletier accomplished many goals, including establishing the structure, instruments and policies of governance for Okanese First Nation. She also took part in numerous projects related to wellness, social reform and education, focusing primarily on providing support to vulnerable women and children. Day Walker-Pelletier has been a strong advocate for preserving the language, traditions, and treaty rights of Okanese First Nation.

Aiyyana Maracle, multidisciplinary Haudenosaunee artist, performer, storyteller and educator (born 25 November 1950 on Six Nations of the Grand River, ON; died there, 24 April 2016). An Indigenous transgender woman, Maracle created art that focused on the decolonization of gender. Her work received critical acclaim and was widely inspirational. She is believed to have been the first Indigenous woman to have received the John Hirsch Prize. This is a prestigious national award for emerging directors in Canadian theatre.

Tahltan are Dene, an Indigenous people in Canada. Tahltan have traditionally occupied an area of northwestern British Columbia centered on the Stikine River. Although the Tahltan use several terms to refer to themselves, the designation "Tahltan" comes from the language of their neighbours, the Tlingit. Today, the Tahltan Central Government represents the interests of the Tahltan members, both on and off reserve.

Beothuk (meaning “the people” or “true people” in their language) were an Indigenous people who traditionally inhabited Newfoundland. At the time of European contact in the 16th century, the Beothuk may have numbered no more than 500 to 1,000. Their population is difficult to estimate owing to a reduction in their territories in the early contact period. While it has been said that the Beothuk are now extinct, Mi’kmaq oral tradition denies this claim. Indigenous oral histories teach that the Beothuk intermarried with other Indigenous nations along the mainland after they had been forced out of their coastal territories by settlers. According to this perspective, Beothuk descendants live on in other Indigenous communities.

The Cree language (also called Cree-Montagnais-Naskapi) is spoken in many parts of Canada, from the Rocky Mountains in the west to Labrador in the east. Cree is also spoken in northern Montana in the United States. Often written in syllabics (i.e., symbols representing a combination of consonant and vowel, or just a consonant or vowel), Cree is one of the most widely spoken Indigenous languages in Canada. In the 2016 census, 96,575 people reported speaking Cree.

Tionontati (also known as Petun) are an Iroquoian-speaking Indigenous people, closely related to the Huron-Wendat. The French called them Petun because they were known for cultivating tobacco or petún. The people call themselves Tionontati. After war with the Haudenosaunee in the mid-1600s, Tionontati and some other survivors, including the Attignawantan (a Huron-Wendat people) and the Wenrohronon (or Wenro), joined to become the Wendat, now known as the Wyandotte (or Wyandot) Nation. Today, the Wyandotte Nation is a federally recognized tribe of Oklahoma in the United States. There are also Wyandotte communities in Michigan (Wyandot of Anderdon Nation) and Kansas (Wyandot Nation of Kansas).

Jackie Shane, singer (born 15 May 1940 in Nashville, Tennessee; died 22 February 2019 in Nashville). Jackie Shane was a pioneering transgender performer who was a prominent figure in Toronto’s R&B scene in the 1960s. Her cover of William Bell’s “Any Other Way” reached No. 2 on the CHUM singles chart in 1963. Her 1967 live album, Jackie Shane Live, was reissued in 2015 and was shortlisted for the Polaris Music Prize’s 1960–1970 Heritage Award. Any Other Way, an anthology album of songs from Shane’s career and monologues from her live shows, was released in 2017. It was nominated for a 2019 Grammy Award for Best Historical Album. Shane is featured in a public mural in downtown Toronto commemorating the Yonge Street music scene of the 1960s.

Cree are the most populous and widely distributed Indigenous peoples in Canada. Other words the Cree use to describe themselves include nehiyawak, nihithaw, nehinaw and ininiw. Cree First Nations occupy territory in the Subarctic region from Alberta to Quebec, as well as portions of the Plains region in Alberta and Saskatchewan. According to 2016 census data, 356,655 people identified as having Cree ancestry and 96,575 people speak the Cree language.

Innu, which means “people” in the Innu language, is the predominant term used to describe all Innu. Some groups maintain the use of one of two older terms: Montagnais (French for “mountain people”), usually applied to groups in forested, more southern communities, and Naskapi, which refers to far northern groups who inhabit the barren lands of the subarctic. In the 2016 census, 27,755 people identified as having Innu/Montagnais ancestry, while an additional 1,085 identified as Naskapi.

There are six cultural areas contained in what is now Canada, unrestricted by international boundaries. The Plateau cultural area consists of the high plateau between the British Columbia coastal mountains and the Rocky Mountains, and extends south to include parts of Washington State, Oregon, Idaho, and Montana. At lower elevations it is comprised of grasslands and subarctic forests. Plateau Indigenous peoples include, among others, the Secwepemc, Stl’atl’imc, Ktunaxa, and Tsilhqot’in. (See also Interior Salish.)

The movement of individuals of one country into another for the purpose of resettlement is central to Canadian history. The story of Canadian immigration is not one of orderly population growth; instead, it has been — and remains one — about economic development as well as Canadian attitudes and values. It has often been unashamedly economically self-serving and ethnically or racially discriminatory despite contributing to creating a multicultural society (see Immigration Policy in Canada; Refugees to Canada). Immigration has also contributed to dispossessing Indigenous peoples of their ancestral lands.

Vivine Scarlett, dancer, choreographer, administrator (born in London, United Kingdom). Vivine Scarlett is the founder, executive director and curator of dance Immersion, a Toronto-based organization that produces, presents and supports dancing of the African diaspora. She is also an award-winning choreographer and a renowned instructor. Scarlett has received a K.M. Hunter Artist Award for dance from the Ontario Arts Foundation, the Muriel Sherrin Award from the Toronto Arts Foundation and a Lifetime Achievement Award from Dance Ontario.

Naheed Kurban Nenshi, business consultant, professor, mayor of Calgary, AB, 2010–21 (born 2 February 1972 in Toronto, ON). Naheed Nenshi was elected Mayor of Calgary for three terms, from 2010 to 2021. He was the first Muslim mayor of a major North American city. He was also the first Canadian mayor to be awarded the World Mayor Prize by the British-based City Mayors Foundation. Nenshi was known for pioneering the use of social media in political campaigns, promoting civic engagement, completing various large infrastructure projects and guiding Calgary’s recovery following devastating floods in 2013.

Freda Diesing, Haida artist (born 2 June 1925 in Prince Rupert, BC; died there 3 December 2002). Diesing was best known for her contributions to reviving traditional Haida art forms, including wood carving, mask carving and totem carving. She was one of the few women carvers who mastered the medium, and was partly responsible for bringing the style to an international audience. Diesing worked to ensure the style and tradition of Haida art was passed on to new generations. (See also Northwest Coast Indigenous Art and Contemporary Indigenous Art in Canada.)