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The role of Black people within the history of the fur trade is rarely considered. Black people were rarely in a position to write their own stories, so often those stories went untold. This owes to a complex set of factors including racism and limited access to literacy. Black people are also not the focus of many historical documents. However, historians have identified several Black fur traders working in different roles, and even an entire family of Black fur traders who left their mark on history.

Conrad Moffat Black, Lord Black of Crossharbour, newspaper publisher, author, columnist and historian (born 25 August 1944 in Montreal, QC). Conrad Black owned and published a large network of newspapers in Canada and abroad between 1969 and 2004. He was convicted of mail fraud and obstruction of justice in 2007 and served a prison sentence in the United States. However, Black was pardoned for his convictions in 2019 by US president Donald Trump. He is a well-known author and columnist on history and politics.

Samuel Black, fur trader, explorer (b at Pitsligo, Scot 3 May 1780; d at Kamloops, New Caledonia [BC] 8 Feb 1841). He joined the XY Co, which was absorbed by the NORTH WEST CO in 1804.

Brandeis Denham Jolly, C.M., teacher, entrepreneur, publisher, broadcaster, philanthropist, civil rights activist, community leader (born 26 August 1935 in Industry Cove, Jamaica). Jolly began his business career by purchasing and operating rooming houses and nursing homes. He later purchased and became the publisher of Contrast, a Black community newspaper in Toronto and established FLOW 93.5, the first Black-owned radio station and the first station in Canada to showcase Black music and the stories of the Black community. Jolly also was involved with or founded and led community groups — such as the Black Action Defence Committee — that sought to end police violence targeting young Black men. Jolly also contributed generously to several causes including scholarships for promising young Black Canadians.

William Peyton Hubbard, politician, inventor, baker, coachman (born 27 January 1842 in Toronto, ON; died 30 April 1935 in Toronto). Hubbard was Toronto’s first Black elected official, serving as alderman (1894–1903, 1913) and controller (1898–1908), and as acting mayor periodically. A democratic reformer, he campaigned to make the city’s powerful Board of Control an elected body. Hubbard was also a leading figure in the push for public ownership of hydroelectric power, contributing to the establishment of the Toronto Hydro-Electric System.

Rose Fortune, entrepreneur (born 1774 at Virginia; died 20 February 1864 at Nova Scotia). Rose Fortune, a Black Loyalist originally from the US, is best-known for her talent as a businesswoman at a time when neither women nor Black persons were encouraged to pursue entrepreneurial opportunities (see Black Canadians) and when the feminist movement in Canada was decades away. Born during the American Revolution to enslaved persons, Fortune emigrated to Canada at age ten. Her family settled in the Annapolis Valley in Nova Scotia, a popular destination for black Loyalists.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Joshua Mauger, colonial entrepreneur, sea captain, politician (baptized 25 April 1725 in the parish of St. John, Jersey; died 18 October 1788 at Warborne, near Lymington, England). Mauger was one of Nova Scotia’s wealthiest and most influential merchants in the 18th century. Although he only spent 11 years in the colony, he exerted significant power in its business and politics for two decades after. His complex involvement with Nova Scotia underscores the bonds of subservience and influence that hindered the colony’s early development. Mauger also enslaved Black people and built a significant portion of his business empire on the labour of enslaved people.

Maxwell Charles Gordon Meighen, financier (b at Portage la Prairie, Man 5 June 1908; d at Toronto 25 Feb 1992), son of PM Arthur MEIGHEN.

James McGill, fur trader, merchant, politician, philanthropist (born 6 October 1744 in Glasgow, Scotland; died 19 December 1813 in Montreal, Lower Canada). James McGill was one of Montreal’s most prominent citizens in the 18th and early 19th centuries. He grew a successful career as a fur trader into a business empire. McGill also held various positions in public office, including three terms in Lower Canada’s legislature. His will contained the endowment for McGill University. James McGill’s achievements cannot be separated from the fact that he enslaved Black and Indigenous people and profited from this practice.

Israel Harold (Izzy) Asper, businessman, broadcaster, lawyer, politician (b at Minnedosa, Man 11 Aug 1932, d at Winnipeg, Man 7 Oct 2003). Izzy Asper earned a BA (1953) and LLB (1957) from the University of Manitoba before being called to the Bar in 1957.

Henry Newton Rowell Jackman, "Hal," financier, philanthropist, lieutenant-governor of Ontario (b at Toronto 10 June 1932). The son of Henry Jackman, a successful Depression-era entrepreneur, Jackman was born into Toronto's elite.