The game is six degrees of Canadian history. Take two seemingly unrelated pieces of Canadian culture and connect the dots through various people, places and events to discover how they’re distantly — or maybe not-so-distantly — related. Along the way, we visit the quizzical and curious, the tragic and comic, and everything in between.
The Inuit artist Pitseolak Ashoona was born in a skin tent between 1904 and 1908 while her family was making a spring trek from Salluit, in the Nunavik region of Arctic Québec, to the south coast of Baffin Island (Qikiqtaaluk), during an era when Europeans still had relatively little impact on the far north and when the Inuit still lived on the land as semi-nomadic subsistence hunters and trappers.
Arlene Stamp, painter (b at London, Ont 4 June 1938). Stamp studied art at the Alberta College of Art and Design (1974-76) and the University of Calgary (BFA, 1979, and post-graduate studies from 1979-80). Previously she had studied mathematics at the University of Western Ontario (BA, 1960).
A fervent polemicist, Plamondon frequently wrote to the newspapers to argue his pictorial ideas and attack his rivals. In 1851, a year after winning a first prize with his Chasse aux tourtes at the Exposition de Québec, he moved his studio to Neuville, about 30 km upstream from Québec.
In 1973 av Paul moved to Montréal, joining Les Grands Ballets Canadiens as principal dancer. Her beauty, artistic maturity and versatility won her a wide-ranging repertoire in both purely classical and neo-classical works and she created many roles in new ballets including several by Macdonald.