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Create AccountWinnipeg Auditorium. Winnipeg's main concert hall complex from 1932, when it opened, until 1968, when it was supplanted in that function by the Manitoba Centennial Concert Hall. It was designed jointly by three architectural firms - Northwood & Chivers, Pratt & Ross, and J.N.
Winnipeg Folk Festival. It was established in 1974 by Mitch Podolak, Ava Kobrinsky and Colin Gorrie as part of Winnipeg's centennial celebrations.
Owner and newspaper were ideologically reunited in 1917, when the Free Press backed Union Government and Conscription. During the 1920s, however, Dafoe and Sifton returned to the Liberal fold to support Mackenzie King and his government.
Winnipeg Male Voice Choir. An enterprise of the Men's Music Club. Founded in 1916 as a quartet of club members, it had increased by 1918 to 46. On the death in 1920 of its founding conductor, George Price, Cyril F. Musgrove was brought from England to take over the choir.
Winnipeg Music Competition Festival Inc (Manitoba Music Competition Festival 1918-83). Founded in Winnipeg in 1918 by the Men's Musical Club (Men's Music Club), which has continued to organize and sponsor it annually. The first festival took place 13-16 May 1919 in the Central Congregational Church.
Winnipeg Oratorio Society. Founded in 1908 by John J. Moncrieff and others, to provide Winnipeg with a major choir drawn from the city's many church choirs and capable of undertaking large-scale choral works.
The Winnipeg Philharmonic Choir, Winnipeg's principal oratorio choir was founded in 1922.
Piero Gamba became music director in 1971, a position he held until the fall of 1980. In 1979 he led the WSO in a gala concert at Carnegie Hall. Kazuhiro Koizumi became music director in 1983, and in the 6 years he served with the WSO the orchestra's subscriber base rose to more than 10 000 patrons.
In 1944, with the prospects for a symphony orchestra for Winnipeg enhanced by the CBC's plans for a regular broadcasting orchestra, the Winnipeg Civic Music League was organized. The league established a joint stock company, Winnipeg Symphony Orchestra Ltd.
Winnipeg's Contemporary Dancers is Canada's longest operating modern dance company. WCD, a company of about 10 dancers, traces its roots to a student group formed in 1964 by former ROYAL WINNIPEG BALLET dancer Rachel BROWNE. It was recognized as fully professional by 1971.
In the 19th century a number of winter-inspired piano pieces or songs for voice and piano were published, including Canadian Winter Galop (1864 or before) by Charles J. Millar, Winter Carnival March (1884) by C.A.
Bare-chested landscapers dragged rakes through a mound of dirt where the front lawn will soon be planted.
Women's Musical Club of Saskatoon. Founded in 1912 through the efforts of Mrs G.E. Craney and others, with a membership of 24 (later as many as 40) determined by audition.
Women's Musical Club of Toronto. Founded in Toronto ca 1898. It was initiated by Mrs George Dickson, principal of St Margaret's College for Ladies (and the club's first president), Mrs Sanford Evans, a pianist, and Mary Smart, a singer who later organized the club's first choral society.
Women's Musical Club of Winnipeg. In 1990 the fifth-oldest existing club of its kind in Canada. It began informally in 1894 when six women - Mrs Gerald F. Brophy, Mrs L.A. Hamilton, Mrs H.A. Higginson, Mrs Angus Kirkland, Mrs F.H. Matthewson, and Mrs Fred Stobart - met weekly in one of their homes.
Women's musical clubs. Associations of music lovers formed with the aim of improving the members' knowledge and appreciation of music, enriching the concert life of the local community, and encouraging young artists.
"Woodstock." Song in the contemporary folk style, in the key of E minor; music and lyrics by Joni Mitchell. "Woodstock" enshrines the seminal August 1969 music festival of that name; Mitchell wrote it while watching the festival on television.
World music is a direct and powerful indicator of the multicultural nature of Canadian society. Broadly interpreted, "world music" can mean the traditional musics of cultures outside North America and Western Europe, or contemporary versions of traditional musics.
