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Article

Joseph Rouleau

Joseph Alfred Pierre Rouleau, CC, GOQ, bass, teacher (born 28 February 1929 in Matane, QC; died 12 July 2019 in Montreal, QC). Opera singer Joseph Rouleau was renowned worldwide for his unerring theatrical sense and impressive vocal flexibility. He performed for 20 years with Covent Garden in London, where he played leading roles in more than 40 productions. In Canada, Rouleau appeared often with the Montreal Symphony Orchestra, the Toronto Symphony Orchestra and the Quebec Symphony Orchestra. He premiered the role of Monseigneur Taché in Harry Somers’s Louis Riel with the Canadian Opera Company (COC) in 1967. He also commissioned and premiered Jacques Hétu’s Les Abîmes du rêve with the Quebec Symphony Orchestra in 1984, and issued a recording of songs by Félix Leclerc in 1990. Rouleau received the Prix de musique Calixa-Lavallée, the Prix Denise-Pelletier and the Governor General’s Performing Arts Award for Lifetime Artistic Achievement. He was made an Officer and then Companion of the Order of Canada, and an Officer and then Grand Officer of the Ordre national du Québec. He was inducted into the Canadian Opera Hall of Fame in 1992.

Article

Christie Blatchford

Christie Blatchford, journalist, newspaper columnist, writer, broadcaster (born 20 May 1951 in Rouyn-Noranda, QC; died 12 February 2020 in Toronto, ON). Christie Blatchford was one of Canada’s best-known journalists. In a career spanning five decades, she wrote for all of Canada’s national daily newspapers — the Globe and Mail, the Toronto Star and the National Post — as well as the Toronto Sun. She also published several books, including Fifteen Days: Stories of Bravery, Friendship, Life and Death from Inside the New Canadian Army (2008), which won the Governor General’s Literary Award for Non-Fiction. Blatchford won a National Newspaper Award for her columns in 1999 and was inducted into the Canadian News Hall of Fame in November 2019. She was a conservative writer who focused mainly on crime, human suffering and criminal justice. Her often controversial views prompted strong reactions and media responses.

Article

Clifford Wiens

Clifford Donald Wiens, architect, designer, teacher (born 27 April 1926 in Glenn Kerr, SK; died 25 January 2020 in Vancouver, BC). Clifford Wiens’s distinguished body of work reflects both corporate modern architecture and a broader expressionist movement. Wiens was known for his superb and inventive architectural and structural details, as well as for his simple but strong forms. His distinctive approach to structure and form was shaped by his relationship with the abstract painters in the Regina Five and his background in industrial design. Wiens won two Massey Awards and the Prix du XXe siècle from the Royal Architectural Institute of Canada. Following his death in 2020, the Globe and Mail called him Saskatchewan’s “leading architect of the postwar era.”

Article

Joe Rosenblatt

Joseph Rosenblatt, poet, artist, editor (born 26 December 1933 in Toronto, ON; died 11 March 2019 in Qualicum Beach, BC). Joe Rosenblatt was a prolific and influential poet who published 18 books of poetryand several works of fiction. According to Quill & Quire, Rosenblatt’s poetry was known for its “signature combination of formalism, syntactic wildness, bizarre and often threatening nature imagery, and an undercurrent of Jewish spiritualism.” His poetry collection Top Soil won the Governor General’s Literary Awardin 1976. Rosenblatt was also a literary consultant and an editor of literary magazines, as well as an accomplished illustratorand writing teacher.

Article

Michael Rubbo

Rubbo emerged as an important new voice in documentary cinema (seeFILM, DOCUMENTARY) in 1970 when he directed Sad Song of Yellow Skin, a film about his own experiences on a visit to Saigon during the Vietnam War.

Article

Joy Kogawa

Joy Nozomi Kogawa (née Nakayama), CM, OBC, poet, novelist, activist (born 6 June 1935 in Vancouver, BC). Joy Kogawa is one of the most influential Canadian authors of Japanese descent. She is celebrated both for her moving, fictionalized accounts of the internment of Japanese Canadians and her work in the Redress Movement to obtain compensation and reparation for her community. She is a Member of the Order of Canada and the Order of British Columbia, as well as Japan’s Order of the Rising Sun.

Article

Mr. Dressup

Mr. Dressup was one of Canada’s most beloved and longest-running children’s television series. The program ran for 29 years (1967–96) and more than 4,000 episodes. It starred Ernie Coombs as the jovial Mr. Dressup and was a precursor to the popular American series, Mr. Rogers’ Neighborhood. Mr. Dressup was influential in tailoring children’s programming towards developing the child’s emotional and logical intelligence. The series won three Gemini Awards and earned Coombs an appointment to the Order of Canada. A 2017 crowd-sourced online vote unofficially declared Mr. Dressup Canada’s most memorable television program. In 2019, Mr. Dressup was inducted into Canada’s Walk of Fame.  

Article

Jian Ghomeshi

Jian Ghomeshi, singer, songwriter, musician, broadcaster, writer, manager (born 9 June 1967 in London, England). Jian Ghomeshi was a member of the quirky, alternative pop-folk group Moxy Früvous from 1990 to 2001. He parlayed that recognition into a radio and television career with the CBC, hosting such entertainment talk shows as >play, The National Playlist and Q. He wrote a best-selling memoir, 1982 (2012), about growing up as an Iranian Canadian in Thornhill, Ontario, and stayed active in the music business as an artist manager. His career and national profile unravelled in the fall of 2014 when he was fired by the CBC and charged with sexual assault in incidents involving several women (see Jian Ghomeshi Case).

Article

Canadian Film History: 1939 to 1973

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Article

Canadian Film History: Notable Films and Filmmakers 1980 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Maisie Hurley

Maisie Hurley, née Maisie Amy Campbell-Johnston, Vancouver-area political activist, Indigenous ally (see Indigenous Peoples in Canada), newspaper founder and art collector (born 27 November 1887 in Swansea, Wales; died 3 October 1964 in North Vancouver, British Columbia). Although Hurley had no formal legal training or law degree (see Legal Education), she worked on several legal cases and advocated for Indigenous peoples’ basic human rights as well as for changes to the Indian Act. In 1946, Hurley started a newspaper called The Native Voice that aimed to bring attention to important issues concerning Indigenous communities across Canada (see Rights of Indigenous Peoples in Canada). In 2011, Hurley’s collection of Indigenous art was displayed at the North Vancouver Museum.

Article

David Gardner

David Gardner, actor, director, educator (born 4 May 1928 in Toronto, ON; died 8 February 2020 in Toronto). David Gardner was a theatre professional who brought a passion for Canadian drama to performance, education and political forums. He had a long and distinguished career as an actor, director, teacher and historian, and was a major player in the development of Canadian theatre. He played some 800 roles on stage, radio, film and television and directed for both stage and television. He taught at the University of Toronto and at York University. His work has been published widely in Canadian encyclopedias and journals.

Article

Judy Rebick

Judy Rebick, feminist, social activist, author, broadcaster, public speaker (born 15 August 1945 in Reno, Nevada). Judy Rebick has championed the rights of women, minorities and the working class since the 1960s. She was a member of the NDP’s Waffle caucus and a pro-choice spokesperson for the Ontario Coalition for Abortion Clinics. She rose to national prominence as the president of the National Action Committee on the Status of Women (1990–93) and as the host of CBC TV programs (1994–2000). From 2002 to 2010, she was the Sam Gindin Chair in Social Justice and Democracy at Ryerson University. She is also a best-selling author and was the founding publisher of rabble.ca.

Article

Robert Munsch

Robert Norman Peter Maria Munsch, CM, children’s writer, storyteller (born 11 June 1945 in Pittsburgh, Pennsylvania). Robert Munsch is a successful children’s writer. He has published more than 60 books in over 30 languages, including eight Indigenous languages. His books, including The Paper Bag Princess (1980) and Love You Forever (1986), have sold more than 30 million copies worldwide. He won a Juno Award for Best Children’s Album in 1985, received the Ruth Schwartz Children’s Book Award in 1986 and was named the Canadian Booksellers’ Association’s Author of the Year in 1992. He is a Member of the Order of Canada and Canada’s Walk of Fame.

Article

Edith Clayton

Edith Clayton (née Drummond), basket weaver (born 6 September 1920 in Cherry Brook, NS; died 8 October 1989 in East Preston, NS). Using dyes from the Mi’kmaq community and a style that originated in Africa, Edith Clayton weaved traditional baskets that were admired across Canada and around the world. She was awarded the Queen Elizabeth II Silver Jubilee Medal in 1977. Her baskets were prominently displayed at the Canadian pavilion at Expo 86 in Vancouver. In 1989, she was featured in a National Film Board film titled Black Mother Black Daughter.

Article

Deborah Ellis

Deborah Ellis, writer, counsellor, peace activist and philanthropist (born at Cochrane Ont, 7 Aug 1960). Deborah Ellis began writing at the age of 11 and released her first book after she entered a contest for unpublished novelists in 2000. Her novels for young adults often explore children in international crises, revealing the extraordinary lives that endure behind the global headlines of war and want.