Search for "black history"

James Archibald Houston, artist, author, filmmaker (b at Toronto 12 Jun 1921; d at New London, Conn 17 Apr 2005). Houston studied art in Toronto at the Ontario College of Art before serving in WWII.

Jackie Washington, singer, guitarist, pianist (born 12 November 1919 in Hamilton, ON; died 27 June 2009 in Hamilton).

John D. Eberts (born at Montréal 1941; died there 6 Sept 2012). Jake Eberts was one of the most successful and well-respected Canadian-born film producers.

Irène Brisson (b Jourinn). Teacher, musicologist, broadcaster, b Paris 20 Jan 1946, naturalized Canadian 1975; premier prix history (Paris Cons) 1969, premier prix musicology (Paris Cons) 1971.

Santiago, Armando. Composer, conductor, teacher, administrator, b Lisbon 18 Jun 1932, naturalized Canadian 1972; premier prix music history (Lisbon Cons) 1954, premier prix composition (Lisbon Cons) 1960.

Phyllis (Irene Elizabeth) Marshall, singer, actress (born 4 November 1921 in Barrie, ON; died 2 February 1996 in Toronto, ON).

Daphne Odjig, CM, OBC, visual artist (born 11 September 1919 at Wikwemikong Unceded Indian Reserve, Manitoulin Island, ON; died 1 October 2016 in Kelowna, BC).

Michelle Quintal. Organist, teacher, concert organizer, b Charlemagne, near Montreal, 19 Sep 1940; premier prix organ and deuxième prix history (CMM) 1966, premier prix orgue (Vienna Academy) 1970.

Tom Radford studied Canadian history at the University of Alberta in the late 1960s, quitting halfway through his masters to begin work on Ernest Brown, Pioneer Photographer (1974).

Nicole Labelle. Musicologist, teacher, pianist, organist, b Montreal 2 Jun 1946; B MUS (Montreal) 1967, M MUS (Montreal) 1970, premier prix history (CMM) 1973, D MUS (Sorbonne) 1978.

Ethel Jean Southworth. Journalist, b Omemee, near Lindsay, Ont, 9 Jan 1923, d Ottawa, Ont, 23 May 2008; BA history (Toronto) 1944. She studied organ with Godfrey Hewitt.

This entry presents an overview of Quebec cinema, from the explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986) to the setback that followed 10 years later and the new wave of filmmaking that emerged at the beginning of the 21st century. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

This entry presents an overview of Quebec cinema, from its beginnings in the silent film era to the burgeoning of a distinctly Quebec cinema in the 1960s. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women’s cinema.

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

Callixte Lavallée, composer, pianist, conductor, teacher, administrator, soldier (born 28 December 1842 in Verchères, Canada East; died 21 January 1891 in Boston, Massachusetts). A pioneer in music both in Canada and the United States, Calixa Lavallée was considered one of the “national glories” of Quebec. He is best known for composing the music for “O Canada” and was twice president of the Académie de musique de Québec. Despite this vaunted stature, he spent much of his life outside Canada, served with the Union Army during the American Civil War and called for Canada to be annexed by the United States. The Prix de musique Calixa-Lavallée, awarded by the St-Jean-Baptiste Society of Montreal for outstanding contributions to the music of Quebec, is named in his honour.

A prolific author, editor and translator, and concerned chiefly with the contemporary debate on religion and science, De Sola's own writings included studies on Jewish history, cosmography and medicine.

Raymond Bouchard (born Lauzon, now Lévis, Qué 7 Mar 1945). Bouchard, a history, literature, and archeology student, possessed a deep warm voice and sang in his secondary school choir.

James Keelaghan, folksinger, musician (b Calgary 28 Oct 1959). A talented singer-songwriter and guitarist, he began performing FOLK MUSIC locally while studying history at the University of Calgary.

​Maurice Ruddick, coal miner, musician (born 1912 in Joggins, NS; died 1988 in Springhill, NS). After a mine shaft caved in on Ruddick and six other workers, he helped keep his companions’ spirits up by singing and leading them in song and prayer. He later described the experience in "Spring Hill Disaster," the song he wrote about the event. Ruddick and the other "miracle miners" enjoyed public attention briefly after the disaster. For Ruddick, the only Black person in the group, racism dimmed his moment in the spotlight.