Arthur Goss
Arthur Goss documented the poor living conditions of immigrant families and the impact of poverty on the health and welfare of children in impoverished areas of Toronto like St. John’s Ward for the Department of Public Health.
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Create AccountArthur Goss documented the poor living conditions of immigrant families and the impact of poverty on the health and welfare of children in impoverished areas of Toronto like St. John’s Ward for the Department of Public Health.
Sapp is widely regarded as one of Canada's foremost Indigenous painters. Sapp's success as a painter in the realist tradition (associated more with European art) made him a pioneer of the new Indigenous arts.
Carl Beam (Carl Edward Migwans), artist (born 24 May 1943 in West Bay, Manitoulin Island, ON [now M’Chigeeng First Nation]; died 30 July 2005 in M’Chigeeng First Nation). The first contemporary Indigenous artist whose work was acquired by the National Gallery of Canada, Beam was one of Canada’s most ground-breaking Indigenous artists. (See also Contemporary Indigenous Art in Canada.)
Jackson Beardy (also known as Quincy Pickering Jackson Beardy), Oji-Cree artist (born 24 July 1944 at Island Lake, MB; died 8 December 1984 in Winnipeg, MB). Beardy was part of the Woodlands School of Indigenous art, and in 1973 he became part of a group of Indigenous artists popularly known as the Indian Group of Seven. His stylized artworks — sometimes painted on canvas, birch bark or beaver skins — were often concerned with the interdependence of humans and nature. They also tended to depict figures from Ojibwe and Cree oral traditions. From the late 1960s to his death in the early 1980s, Beardy promoted Indigenous art as a valid category of contemporary art. His influence as a Woodland artist has contributed to the development of contemporary Indigenous art in Canada.
Bonnie Devine, artist, writer, professor (born 12 April 1952 in Toronto, ON). A member of the Serpent River First Nation, Bonnie Devine is a prominent Ojibwe artist and writer. She has applied Ojibwe mythology and storytelling traditions to drawing, painting, sculpture, site-specific interventions, performance and video. She held a solo exhibition, The Tecumseh Papers, at the Art Gallery of Windsor in 2013. She was also featured with other Indigenous artists in Anishinaabe Artists of the Great Lakes at the Art Gallery of Ontario. She is an Associate Professor at the Ontario College of Art and Design University and is the founding chair of the school’s Indigenous Visual Culture Program. She received a Governor General’s Award in Visual and Media Arts in 2021.
Lawrence Paul Yuxweluptun, Coast Salish and Okanagan (see Interior Salish) artist and activist (born in 1957 at Kamloops, British Columbia). Yuxweluptun trained at the Emily Carr College of Art (now the Emily Carr University of Art and Design) in the late 1970s and early 1980s, focusing on historical European art. His paintings employ both traditional Northwest Coast imagery (see Northwest Coast Indigenous Art) and surrealist visual language to critique colonialism, racism against Indigenous peoples, capitalism, and environmental destruction, among other issues. In addition to paintings, Yuxweluptun has produced multimedia artworks, videos and performances that are political in nature. In 2013, Yuxweluptun was awarded a Fellowship at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, USA. Yuxweluptun’s art is featured in the permanent collections of many prominent galleries and museums in North America.
Beverly Sainte-Marie, CC, singer, songwriter, multi-instrumentalist, educator, social activist, philanthropist, visual artist (born 20 February 1941 on Piapot Reserve, SK). Buffy Sainte-Marie is a pioneering and influential singer-songwriter. She specializes in love songs and music with a political and social-activist focus. She was an important figure in the Greenwich Village and Toronto folk music revivals in the 1960s, and is perhaps best known for her 1964 anti-war anthem “Universal Soldier.” It was inducted into the Canadian Songwriters Hall of Fame in 2005. Sainte-Marie also won a Golden Globe, a BAFTA and an Academy Award for co-writing the hit song “Up Where We Belong.” She has received the Polaris Music Prize and the Governor General’s Performing Arts Award, as well as multiple Juno Awards, Canadian Aboriginal Music Awards, lifetime achievement awards and honorary degrees. A Companion of the Order of Canada, she has been inducted into the Canadian Music Hall of Fame, the Canadian Country Music Hall of Fame and Canada’s Walk of Fame.
William Ronald Reid, sculptor (born 12 January 1920 in Victoria, BC; died 13 March 1998 in Vancouver, BC). An internationally recognized Haida artist, Bill Reid is frequently credited with the revival and innovative resurgence of Northwest Coast Indigenous arts in the contemporary world. (See also Contemporary Indigenous Art in Canada.)
Akeeaktashuk, sea hunter, sculptor, storyteller (b at Hudson Bay, near Inukjuak River, Qué 1898; d at Craig Harbour, NWT 1954). Akeeaktashuk was a jolly, robust and outgoing man with an astonishing talent for observing and keenly portraying humans, animals and birds in stone and ivory.
Blake Randolph Debassige, artist (born at West Bay, Ontario 22 June 1956).
Emily Carr, painter, writer (born 13 December 1871 in Victoria, BC; died 2 March 1945 in Victoria).
Carl Ray, Cree artist, illustrator, editor and art teacher (born January 1943 in Sandy Lake, ON; died 26 September 1978 in Sioux Lookout, ON). Ray was known for his innovative paintings in the Woodlands style and was a founding member of the Indian Group of Seven. Ray’s work has influenced Indigenous art in Canada and can be found in the collections of various galleries and museums across the country.
Alex Simeon Janvier, painter (born 28 Feb 1935 in Le Goff Reserve, Cold Lake First Nations, near Bonnyville, AB).
Aqjangajuk Shaa (Axangayu), Inuit artist (born at Shartoweetuk camp near Cape Dorset, Nunavut 17 March 1937; died 2019).
Andrew Qappik, CM, RCA, Inuk graphic artist and printmaker (born 25 February 1964 in Nunataq, in what is now known as Nunavut). Qappik helped design the Nunavut flag and coat of arms, as well as the logo for the Government of Nunavut. In 2017, he was appointed to the Order of Canada “for his contributions to defining the visual culture of Nunavut as a master printmaker and sculptor.” He is based in Panniqtuuq (Pangnirtung), Nunavut.
Winner of the Sobey Art Award in 2006 and included in prestigious international exhibitions such as Documenta in Kassel, Germany, and in collections like that of the National Gallery of Canada, Annie Pootoogook was born into a family of accomplished Inuit artists. She is the daughter of graphic artist Napachie Pootoogook and printmaker and carver Eegyvudluk Pootoogook, and is the granddaughter of Pitseolak Ashoona. Her uncle was Kananginak Pootoogook.
Prior to the advent of distinctively Canadian modernists like Tom Thomson, members of the Group of Seven, Emily Carr and David Milne in the 20th century, Canadian painting closely followed conventional, academic European models and tastes.
This article was originally published in Maclean’s magazine on June 24, 1996. Partner content is not updated.
In his blue smoking jacket, white sneakers and sandy-grey muttonchop whiskers, Clive Smith bears an eerie resemblance to one of his company's own creations.Zacharias Kunuk, OC, filmmaker, carver, sculptor, visual artist (born 27 November 1957 in Kapuivik, Nunavut). An internationally acclaimed media maker, Zacharias Kunuk has played a crucial role in the redefinition of ethnographic filmmaking in Canada and has been at the forefront of the Inuit’s innovative use of broadcast technology. He is perhaps best known for his debut feature film, Atanarjuat (The Fast Runner), which won six Genie Awards (including Best Screenplay, Best Direction and Best Motion Picture) and was ranked the No. 1 Canadian film of all time in a 2015 poll conducted by the Toronto International Film Festival.