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Article

Nobel Prizes and Canada

The Nobel Prizes are awarded annually for achievements that have significantly benefitted humankind. The prizes are among the highest international honours and are awarded in six categories: physics, chemistry, physiology or medicine, literature, peace, and economics. They are administered by the Nobel Foundation and awarded by institutions in Sweden and Norway. Eighteen Canadians have won Nobel Prizes, excluding Canadian-born individuals who gave up their citizenship and members of organizations that have won the peace prize.

Article

Longhouse

A longhouse was the basic house type of pre-contact northern Iroquoian-speaking peoples, such as the Huron-Wendat, Haudenosaunee, Petun and Neutral. The longhouse sheltered a number of families related through the female line. In the 1700s, European-style single-family houses gradually replaced longhouses as primary residences. However, longhouses still function as important facilities in which some Indigenous peoples conduct ceremonies, political meetings and various community gatherings. (See also Architectural History of Indigenous Peoples in Canada.)

Article

Indigenous Language Revitalization in Canada

Before European settlement in Canada, Indigenous peoples spoke a wide variety of languages. As a means of assimilating Indigenous peoples, colonial policies like the Indian Act and residential schools forbid the speaking of Indigenous languages. These restrictions have led to the ongoing endangerment of Indigenous languages in Canada. In 2016, Statistics Canada reported that for about 40 Indigenous languages in Canada, there are only about 500 speakers or less. Indigenous communities and various educational institutions have taken measures to prevent more language loss and to preserve Indigenous languages.

List

30 Canadian Books

To celebrate its 30th anniversary, The Canadian Encyclopedia created 30 lists of 30 things that make us proud to be Canadian, from famous people and historic events, to iconic foods and influential artists.

Article

Canadian Tulip Festival

The Canadian Tulip Festival takes place in and around Ottawa every spring. It is one of the world’s largest tulip displays. During the festival, over a million tulips in over 100 varieties are in bloom in the National Capital Region. The festival’s origins lie in Canada’s role in both liberating the Netherlands and hosting members of the Dutch royal family during the Second World War. After the war, the Netherlands began presenting Canada with tulip bulbs in gratitude. This tradition continues to this day. The inaugural festival was held in 1953. (See also Liberation of the Netherlands.)

Article

Turtle Island

For some Indigenous peoples, Turtle Island refers to the continent of North America. The name comes from various Indigenous oral histories that tell stories of a turtle that holds the world on its back. For some Indigenous peoples, the turtle is therefore considered an icon of life, and the story of Turtle Island consequently speaks to various spiritual and cultural beliefs.

Article

Orange Shirt Day

At an event in Williams Lake, British Columbia, in May 2013, the orange shirt was presented as a symbol of Indigenous peoples’ suffering caused by residential schools, which operated from the 1830s to the 1990s. The event led to the annual 30 September Orange Shirt Day as a means of remembrance, teaching and healing. In June 2021, the federal government declared 30 September a national statutory holiday to coincide with Orange Shirt Day. (See also Reconciliation in Canada.)

Article

Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Inuktitut

Inuktitut is an Indigenous language in North America, spoken in the Canadian Arctic. The 2016 census reported 39,770 speakers, of which 65 per cent lived in Nunavut and 30.8 per cent in Quebec. Inuktitut is part of a larger Inuit language family, stretching from Alaska to Greenland. Inuktitut uses a writing system called syllabics, created originally for the Cree language, which represent combinations of consonants and vowels. The language is also written in the Roman alphabet, and this is the exclusive writing system used in Labrador and parts of Western Nunavut. Inuktitut is a polysynthetic language, meaning that words tend to be longer and structurally more complex than their English or French counterparts. (See also Indigenous Languages in Canada.)

Article

Fatty Legs

Fatty Legs (2010) is a memoir about a young Inuvialuit girl’s two years at a religious residential school. It is based on the experiences of Margaret Pokiak-Fenton, who cowrote the novel with her daughter-in-law Christy Jordan-Fenton. Published by Annick Press, the book features illustrations by Liz Amini-Holmes and archival photographs from Pokiak-Fenton’s personal collection. Fatty Legs was a finalist for the Sheila A. Egoff Children’s Literature Prize. It received many other nominations and was named one of the 10 best children’s books of the year by the Globe and Mail.

Article

Polaris Music Prize

The Polaris Music Prize was founded by Steve Jordan in 2006 and is awarded annually to the Canadian artist or group who creates the best full-length album. The mandate of the Polaris Music Prize has been likened to that of the UK’s Mercury Prize; all genres of contemporary music are eligible, and albums are judged on artistic merit rather than on commercial success. The winner is announced at the Polaris Music Prize Gala held each September in Toronto. The original cash prize of $20,000 was increased to $30,000 in 2011 and to $50,000 in 2015. Shortlisted artists have often performed at the Gala, which is broadcast live on CBC Radio 3 and YouTube.

Article

Quebec Film History: 1990 to Present

This entry presents an overview of Quebec cinema, from the explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986) to the setback that followed 10 years later and the new wave of filmmaking that emerged at the beginning of the 21st century. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

Article

Misinformation in Canada

The advance of computers into all aspects of our lives and the rising role of the Internet have led many people to call this the Information Age. But with news travelling fast, and often with few checks and balances to ensure accuracy, it can also be seen as the Misinformation Age. Learning how to separate facts from misinformation or so-called fake news has become a critical modern skill as people learn to evaluate information being shared with them, as well as to scrutinize information they may share themselves.

Article

Quebec Film History: 1970 to 1989

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

Article

Canadian Film History: Notable Films and Filmmakers 1980 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Canadian Film History: 1896 to 1938

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.