Search for "Indigenous Art"

Displaying 1-20 of 141 results
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Maisie Hurley

Maisie Hurley, née Maisie Amy Campbell-Johnston, Vancouver-area political activist, Indigenous ally (see Indigenous Peoples in Canada), newspaper founder and art collector (born 27 November 1887 in Swansea, Wales; died 3 October 1964 in North Vancouver, British Columbia). Although Hurley had no formal legal training or law degree (see Legal Education), she worked on several legal cases and advocated for Indigenous peoples’ basic human rights as well as for changes to the Indian Act. In 1946, Hurley started a newspaper called The Native Voice that aimed to bring attention to important issues concerning Indigenous communities across Canada (see Rights of Indigenous Peoples in Canada). In 2011, Hurley’s collection of Indigenous art was displayed at the North Vancouver Museum.

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Totem Pole

The totem pole (also known as a monumental pole) is a tall structure carved out of cedar wood, created by Northwest Coast Indigenous peoples to serve variously as a signboard, genealogical record and memorial. Some well-known carvers include Mungo Martin, Charles Edenshaw, Henry Hunt, Richard Hunt and Stanley Hunt.

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Quillwork

Quillwork refers to the Indigenous art of using coloured porcupine quills to decorate various items such as clothing, bags, medicine bundles and regalia. Quillwork pieces have been preserved in museums and cultural centres across North America. Now considered a rare artform, elders and specialized artists use quillwork to promote cultural traditions.

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Montreal Metro

The Montreal metro opened on 14 October 1966. The second Canadian subway system after Toronto’s, which opened in 1954, the Montreal metro was the first subway in North America to run on rubber tires instead of metal wheels. Extensions to the Montreal metro were built on Montreal Island over the two decades after it opened, and then to the city of Laval, on the island of Île Jésus, during the 2000s. The system runs entirely underground, and each station has a distinct architecture and design. The Montreal metro consists of four lines running a total of 71 km and serving 68 stations. In 2018, its passengers made more than 383 million trips.

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Representing the Home Front: The Women of the Canadian War Memorials Fund

While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy StevensFrances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.

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Editorial: Canadian Art and the Great War

Canadian painting in the 19th century tended towards the pastoral. It depicted idyllic scenes of rural life and represented the country as a wondrous Eden. Canadian painter Homer Watson, under the influence of such American masters as Frederic Edwin Church and Albert Bierstadt, created images that are serene and suffused with golden light. In On the Mohawk River (1878), for instance, a lazy river ambles between tall, overhanging trees; in the background is a light-struck mountain. In Watson’s world, nature is peaceful, unthreatening and perhaps even sacred.

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Powwows in Canada

Powwows are celebrations that showcase Indigenous music, dances, regalia, food and crafts. Commonly hosted by First Nations communities (either on reserve or in urban settings), powwows are often open to non-Indigenous and Métis and Inuit peoples alike. Contemporary powwows originated on the Great Plains during the late 19th century and, since the 1950s, have been growing in size, number and popularity. Powwows serve an important role in many Indigenous peoples’ lives as a forum to visit family and friends, and to celebrate their cultural heritage, while also serving as a site for cross-cultural sharing with other attendees and participants. Indeed, powwows provide the opportunity for visitors to learn about, and increase their awareness of, traditional and contemporary Indigenous life and culture.

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Longhouse

A longhouse was the basic house type of pre-contact northern Iroquoian-speaking peoples, such as the Huron-Wendat, Haudenosaunee, Petun and Neutral. The longhouse sheltered a number of families related through the female line. In the 1700s, European-style single-family houses gradually replaced longhouses as primary residences. However, longhouses still function as important facilities in which some Indigenous peoples conduct ceremonies, political meetings and various community gatherings. (See also Architectural History of Indigenous Peoples in Canada.)

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Cultural Appropriation of Indigenous Peoples in Canada

Cultural appropriation is the use of a people’s traditional dress, music, cuisine, knowledge and other aspects of their culture, without their approval, by members of a different culture. For Indigenous peoples in Canada, cultural appropriation is rooted in colonization and ongoing oppression. Indigenous peoples have seen culturally significant symbols and motifs used in non-Indigenous goods, marketing and art. They have also seen stereotypical images of “Indians” used in sports logos and the sale of various products.

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Indian Horse

Indian Horse (2012) is the sixth novel by Ojibwe author Richard Wagamese. Set in Northern Ontario in the late 1950s and early 1960s, it follows protagonist Saul Indian Horse as he uses his extraordinary talent for ice hockey to try and escape his traumatic residential school experience. He achieves moderate success as a hockey player but is unable to escape his “Indian” identity or the trauma from his past. Indian Horse was a finalist on CBC’s Canada Reads in 2013, where it won the People’s Choice award. It was also the winner of the 2013–14 First Nation Communities Read Selection and the Burt Award for First Nations, Inuit and Métis Literature from the Canadian Organization for Development through Education (CODE). In 2017, Indian Horse was adapted into an award-winning film by writer Dennis Foon and director Stephen S. Campanelli.

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Canada and the Holocaust

The Holocaust is defined as the systematic persecution and murder of 6 million Jews and 5 million non-Jews, including Roma and Sinti, Poles, political opponents, LGBTQ people and Soviet prisoners of war (POWs), by Nazi Germany from 1933 to 1945. Jews were the only group targeted for complete destruction. Nazi racial ideology considered them subhuman. Though Jewish Canadians did not experience the Holocaust directly, the majority endured anti-Semitism in Canada. Jewish Canadians were only one generation removed from lands under German occupation from 1933 to 1945. They maintained close ties to Jewish relatives in those lands. These ties affected the community’s response to the Holocaust. There was, for instance, a disproportionate representation of Jews in the Canadian armed forces. Jewish Canadians were also heavily involved in postwar relief efforts for displaced persons and Holocaust survivors in Europe.

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Indigenous Language Revitalization in Canada

Before European settlement in Canada, Indigenous peoples spoke a wide variety of languages. As a means of assimilating Indigenous peoples, colonial policies like the Indian Act and residential schools forbid the speaking of Indigenous languages. These restrictions have led to the ongoing endangerment of Indigenous languages in Canada. In 2016, Statistics Canada reported that for about 40 Indigenous languages in Canada, there are only about 500 speakers or less. Indigenous communities and various educational institutions have taken measures to prevent more language loss and to preserve Indigenous languages.

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Cowichan Sweater

The Cowichan sweater is a garment created in North America with a distinctly patterned design knitted out of bulky-weighted yarn. It originated during the late 19th century among the Cowichan, a Coast Salish people in British Columbia. Historically also called the Indian sweater or Siwash sweater (a derogatory Chinook word for Indigenous people), the Cowichan people reclaimed the name after the 1950s as a means of emphasizing their claim to the garment. The popularity of the sweater by the mid-1900s thrust Cowichan sweaters into the world of international fashion, where they have been appropriated by non-Indigenous designers. Nevertheless, several knitters from various Coast Salish communities around Vancouver Island and the mainland of British Columbia continue to create and sell authentic sweaters. In 2011, the Canadian government recognized Cowichan knitters and sweaters as nationally and historically significant.

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Moccasin

Moccasins are a type of footwear often made of animal hide and traditionally made and worn by various Indigenous peoples in Canada. During the fur trade, Europeans adopted these heelless, comfortable walking shoes to keep their feet warm and dry. Moccasins continue to serve as practical outerwear, as well as pieces of fine Indigenous handiwork and artistry.

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Indigenous Languages in Canada

There are around 70 distinct Indigenous languages in Canada, falling into 12 separate language families. While in many places there has been decreased transmission of languages from one generation to the next, recognition of this has led to efforts by Indigenous peoples to revitalize and sustain their languages. Canada, and North America more generally, represent a highly complex linguistic region, with numerous languages and great linguistic diversity. Indigenous languages are spoken widely and are official languages in Nunavut and the Northwest Territories, while the Yukon recognizes the significance of the Indigenous languages of the territory. On 5 February 2019, the Canadian government tabled the Indigenous Languages Act, which seeks to protect and revitalize Indigenous languages in Canada.

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Gustafsen Lake Standoff

The Gustafsen Lake Standoff was a month-long conflict (18 August–17 September 1995) between a small group of First Nations Sun Dancers and the Royal Canadian Mounted Police (RCMP). The standoff took place in central British Columbia, in Secwepemc (Shuswap) territory near 100 Mile House. Sparked by a dispute between a local rancher and a camp of Sun Dancers over access to private land for ceremonial purposes, the armed confrontation raised larger questions of Indigenous land rights in British Columbia. On 11 September 1995, in what was later called the largest paramilitary operation in the history of the province, RCMP surrounded the remote camp and a firefight erupted during which, remarkably, no one was seriously injured. The standoff at Gustafsen Lake is perhaps the least known in a series of localized armed conflicts involving Indigenous peoples in the 1990s that included the Oka and Ipperwash crises in Quebec and Ontario, respectively.