Thomas John Bata
In 1985 it manufactured in 61 countries, operated 92 plants and 6000 retail stores, and sold through 100 000 merchants in 115 countries. The company makes a million pairs of shoes a day.
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Create AccountIn 1985 it manufactured in 61 countries, operated 92 plants and 6000 retail stores, and sold through 100 000 merchants in 115 countries. The company makes a million pairs of shoes a day.
IN THE FALL OF 1961, John F. Kennedy was under intense pressure to ramp up the U.S. presence in Vietnam from a few thousand military "advisers" to a full combat force of more than 200,000 troops. The proposal came from Secretary of Defense Robert McNamara.
IN APRIL 1962, Jacqueline Kennedy invited GALBRAITH, who was returning to Washington on official business as U.S. ambassador to India, to join the Kennedy family for a weekend at Glen Ora, the family's rented estate in the Virginia countryside.
Alphonse Desjardins, journalist, parliamentary reporter, founder of the Desjardins Group (born 5 November 1854 in Lévis, Québec; died 31 October 1920 in Lévis, Québec).
DAVID DODGE SAYS SO OFTEN that the BANK OF CANADA 's goal is to keep inflation "low, stable and predictable" that, as the words trip off his tongue, they flow together, creating what seems like a single thought.
Benjamin Dunkelman, army officer, businessman, sailor, arts patron (b at Toronto 26 June 1913; d there 11 June 1997). Benjamin Dunkelman was the son of Polish-Jewish immigrants who built Tip Top Tailors, a prominent Toronto haberdashery firm.
Marie-Clara Dorimène Desjardins (née Roy), co-founder of the Caisses populaires Desjardins (born 17 September 1858 in Sorel, QC; died 14 June 1932 in Lévis, QC).
Jules-André Brillant, businessman, entrepreneur and philanthropist (born 30 July 1888 in Assemetquahan, QC; died 11 May 1973 in Mont-Joli, QC).
Elsie Reford, née Meighen, philanthropist and founder of the Reford Gardens (born 8 January 1872 in Perth, ON; died 8 November 1967 in Montréal, QC).
Susur Lee, chef, restaurateur (born 1 January 1958 in Hong Kong). Susur Lee is a celebrated pioneer of modern Chinese cuisine and “fusion” cooking. He has received the prestigious CAA Five Diamond Award in Cannes, France, and was named one of the “ten chefs of the millennium” by Toronto-based Food & Wine magazine.
Pierre Karl Péladeau (nicknamed PKP), Canadian entrepreneur and businessman who was instrumental in bringing about the rapid growth of Quebecor (born 16 October 1961 in Montréal, QC). He was the president and chief executive officer of Quebecor for 14 years, from 1999 to 2013. In the Québec provincial election held on 7 April 2014, Péladeau ran as a candidate for the Parti Québécois and won his riding. On 15 May 2015, he became the eighth leader in the history of this political party.
Michael Stadtländer, CM, chef, restaurateur, environmental activist, artist (born 1947 in Lubeck, Germany). A Member of the Order of Canada, winner of the Governor General’s Award for Leadership and named the 2011 Restaurateur of the Year by the Canadian Association of Food Service Professionals, Michael Stadtländer is a pioneer and leader of Canada’s influential farm-to-table culinary movement.
Luce Cuvillier, businesswoman and philanthropist (born 12 June 1817 in Montréal, QC; died 28 March 1900 in Montréal).
John Fluevog, footwear designer, marketing innovator (born 15 May 1948 in Vancouver, BC).
Sir William Pearce Howland, businessman, politician, lieutenant-governor of Ontario 1868–73 (born 29 May 1811 in Pawling, New York; died 1 January 1907 in Toronto, ON).
Ernest Leo Kolber, OC, businessman, philanthropist, senator (born 18 January 1929 in Montreal, QC; died 9 January 2020 in Montreal). Leo Kolber was a pillar of Canada’s business, political and philanthropic communities for more than 50 years. He was perhaps best known as a long-time advisor to the Bronfman family. Kolber also ran the successful real estate firm Cadillac Fairview Corporation, as well as holding companies that administered the Bronfman family trust. He served in the Senate of Canada from 1983 to 2004, most notably as chairman of the Standing Committee on Banking, Trade and Commerce. He was also the Liberal Party’s chief fundraiser for many years and chair of the Advisory Council on National Security from 2005 to 2007. An Officer of the Order of Canada, he was recognized for his many charitable and philanthropic contributions.
Dwight Ball, pharmacist, businessman, premier of Newfoundland and Labrador 2015 to present, leader of the Liberal Party of Newfoundland and Labrador (born 21 December 1957 in Deer Lake, NL). Ball became premier at a time of economic crisis. After several years of prosperity, slumping oil revenues required his government to bring in unpopular austerity measures to fight a burgeoning provincial debt. Ball retained the premiership in 2019, when his Liberal Party won a minority government. On 17 February 2020, Dwight Ball announced his resignation as premier of Newfoundland and Labrador.
Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.
This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.
Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.
This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.
Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.
This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.