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The October Crisis happened in the fall of 1970. It was sparked by the Front de liberation du Québec (FLQ). The FLQ used terrorist tactics to try and make Quebec independent from Canada. On 5 October, the FLQ kidnapped James Cross, a British trade commissioner. The FLQ also kidnapped Quebec cabinet minister Pierre Laporte. Prime Minister Pierre Trudeau invoked the War Measures Act. The Act had never been used before during peacetime. It suspended civil liberties and led to hundreds of arrests. Laporte was murdered and found on 17 October. Cross was freed on 3 December. The crisis ended on 28 December, when Laporte’s killers were captured.

(This article is a plain-language summary of the October Crisis. If you are interested in reading about this topic in more depth, please see the full-length entry.)

On 3 October 1873, some Saulteaux peoples (an Ojibwe people) and the Government of Canada signed Treaty 3, also known as the North-West Angle Treaty. This agreement provided the federal government access to Saulteaux lands in present-day northwestern Ontario and eastern  Manitoba in exchange for various goods and Indigenous rights to hunting, fishing and natural resources on reserve lands. The terms and text of Treaty 3 set precedents for the eight Numbered Treaties that followed. (See also Treaties with Indigenous Peoples in Canada.)

Treaty 10 is the 10th of the 11 Numbered Treaties. It was signed in 1906–07 by the Canadian government and Indigenous peoples in northern Saskatchewan and Alberta. Treaty 10 covers nearly 220,000 km2 of Saskatchewan and Alberta. The terms of Treaty 10 have had ongoing legal and socioeconomic impacts on Indigenous communities.

Treaty 7 is the last of the Numbered Treaties made between the Government of Canada and the Plains First Nations (see Indigenous Peoples: Plains). It was signed on 22 September 1877 by five First Nations: the Siksika (Blackfoot), Kainai (Blood), Piikani (Peigan), Stoney-Nakoda, and Tsuut’ina (Sarcee). Different understandings of the treaty’s purpose, combined with significant culture and language barriers and what some have argued were deliberate attempts to mislead the First Nations on the part of the government negotiators, have led to ongoing conflicts and claims.

Fatty Legs (2010) is a memoir about a young Inuvialuit girl’s two years at a religious residential school. It is based on the experiences of Margaret Pokiak-Fenton, who cowrote the novel with her daughter-in-law Christy Jordan-Fenton. Published by Annick Press, the book features illustrations by Liz Amini-Holmes and archival photographs from Pokiak-Fenton’s personal collection. Fatty Legs was a finalist for the Sheila A. Egoff Children’s Literature Prize. It received many other nominations and was named one of the 10 best children’s books of the year by the Globe and Mail.

On 14 April 1826, an obscure police magistrate in London, England, Robert Chambers, told a committee of the British Parliament dealing with emigration: "I conceive that London has got too full of children." Chambers was alarmed at the number of youngsters, victims of east-end London's chronic poverty, who were begging in the streets and sleeping in the gutters. He had a recommendation which may well have been in the minds of others and which was to become reality several decades later in one of the most Draconian movements in the history of emigration. Chambers recommended that Britain's surplus children be sent to Canada as farm labour.

The Transgender Archives at the University of Victoria is believed to be the largest collection of historical documents and materials related to transgender research and activism in the world (see Historical Sources). Aaron Devor, chair of Transgender Studies at the University of Victoria, is the founder and subject matter expert of the archives, which officially opened in 2011. The archives aim to preserve the history and research of transgender people and other gender-diverse peoples. (See also Lesbian, Gay, Bisexual and Transgender Rights in Canada; Two-Spirit; Queer Culture.)

The SS Caribou was a passenger and train ferry that operated in the Cabot Strait between Port aux Basques, Newfoundland and North Sydney, Nova Scotia. On 14 October 1942, the German submarine U-69 sank the vessel, causing the worst loss of life in Canadian waters during the Second World War.

When Canada prepared to produce Bren guns in the lead up to the Second World War, corruption allegations against the process were published. A royal commission was set up by the government but found no evidence of corruption.

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

​Victory over Japan Day, or VJ-Day, on 15 August 1945, marked the end of the war in the Pacific and the end of the Second World War. The surrender of Japan was observed across Canada with joy, and in some cases street riots.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

This entry presents an overview of Quebec cinema, from its beginnings in the silent film era to the burgeoning of a distinctly Quebec cinema in the 1960s. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women’s cinema.

Written by Irving Abella and Harold Troper, None Is Too Many: Canada and the Jews of Europe 1933–1948 (published in 1982), documented antisemitism in the Canadian government’s immigration policies as they applied to European Jews fleeing persecution from Nazi Germany. The phrase “none is too many” entered the Canadian political lexicon largely because of this book. Even before its publication, the book played a crucial role in changing the Canadian government’s policies toward refugees, such that the government of Joe Clark welcomed Vietnamese refugees then referred to as the “Boat People.”

The North-West Territories was the first Canadian territory. It was Established on 15 July 1870. As a territory, the region became part of Canada. But it lacked the population, economic and infrastructure resources to attain provincial status. It thus fell under the jurisdiction of the federal government. It covered a vast area, stretching west from a disputed boundary with Labrador, across the northern portions of present-day Quebec and Ontario, through the Prairies to British Columbia, and north from the 49th parallel to the Arctic Ocean. The territory was subject to numerous boundary changes before 1905. At that time, the provinces of Saskatchewan and Alberta were carved out of the southwest portion of the region. In 1906, the remaining territory was renamed the Northwest Territories.

The Constitution of Canada is the country’s governing legal framework. It defines the powers of the executive branches of government and of the legislatures at both the federal and provincial levels. Canada’s Constitution is not one legal document. It is a complex mix of statutes, orders, British and Canadian court decisions, and generally accepted practices known as constitutional conventions. The Constitution has been in constant evolution from colonial times to the present day. The story of the Constitution is the story of Canada itself. It reflects the shifting legal, social and political pressures facing Canadians, as well as their choices as a society.

The Second World War was a defining event in Canadian history, transforming a quiet country on the fringes of global affairs into a critical player in the 20th century's most important struggle. Canada carried out a vital role in the Battle of the Atlantic and the air war over Germany and contributed forces to the campaigns of western Europe beyond what might be expected of a small nation of then only 11 million people. Between 1939 and 1945 more than one million Canadian men and women served full-time in the armed services. More than 43,000 were killed. Despite the bloodshed, the war against Germany and the Axis powers reinvigorated Canada's industrial base, elevated the role of women in the economy, paved the way for Canada's membership in NATO, and left Canadians with a legacy of proud service and sacrifice embodied in names such as Dieppe, Hong Kong, Ortona and Juno Beach.

(This is the full-length entry about the Second World War. For a plain-language summary, please see Second World War (Plain-Language Summary).)