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Support for the British Empire and imperialism was strong in much of Canada in the decades after Confederation. But gradually, imperialist loyalties declined and Canadians demanded and won full autonomy within the empire.

London and Bristol Company, est 1610, the first formal attempt to colonize NEWFOUNDLAND. A group of merchant "adventurers" from London and Bristol, Eng, obtained a royal charter giving them title to Newfoundland's east coast.

Archaeologists and natural historians have long been fascinated by shell middens because of their great potential to enhance information about human adaptations and cultures. Early studies focused on the Mesolithic køkkenmøddinger ("kitchen middens") of northern Europe, but similar studies were conducted in Canada by the late 19th century. The English term midden is derived from a Scandinavian root referring to a trash heap composed of domestic refuse and located near a dwelling.

Compagnie du Nord (Compagnie de la Baie du Nord), fd 1682 by Canadian merchants, led by Charles Aubert de la Chesnaye, to trade into Hudson Bay by sea.

Liquor adulterated for use in the fur trade. Fur traders who supplied liquor to the natives often diluted their brandy, rum, whisky, etc, with flavoured water. The term "high wines" is a misnomer, for the trade goods are not wines but spirits.

Halifax Relief Commission began 6 Dec 1917 as an emergency committee to provide immediate relief after the HALIFAX EXPLOSION. In Apr 1918, a 3-man commission was incorporated by provincial statute to administer a $30-million fund for medical care, social welfare, compensation and reconstruction.

The story of Canada since 1867 is, in many ways, a successful one.

Griffon, the first ship to sail the Upper Great Lakes.

Of all the national museums, only the Museum of Civilization is of prime importance to music, though the National Gallery owns paintings of musical interest, some of which are reproduced as illustrations in EMC (see also Art, visual), and the National Museum of Science and Technology owns sound reproduction equipment of historical significance.

'Carry On'. Patriotic song popular during World War II. The music was written by Ernest Dainty as part of the orchestral accompaniment to the Canadian silent feature film Carry On Sergeant. Extracted from the score, the tune was given lyrics by Gordon V.

The Iroquois Wars, also known as the Beaver Wars and the French and Iroquois Wars, were a series of 17th-century conflicts involving the Haudenosaunee Confederacy (also known as the Iroquois or Five Nations, then including the Mohawk, Oneida, Onondaga, Cayuga and Seneca), numerous other First Nations, and French colonial forces. The origins of the wars lay in the competitive fur trade. In about 1640, the Haudenosaunee began a campaign to increase their territorial holdings and access to animals like beaver and deer. Hostilities continued until 1701, when the Haudenosaunee agreed to a peace treaty with the French. The wars represent the intense struggle for control over resources in the early colonial period and resulted in the permanent dispersal or destruction of several First Nations in the Eastern Woodlands.

Montreal Consort of Ancient Instruments. Early-music ensemble, founded by Otto Joachim in 1958, which specialized in the performance of medieval, renaissance, and baroque repertoire.

RCAF Blackouts. Entertainment troupe, one of several organized during World War II by air force personnel.

Klee Wyck (1941) is a memoir by Emily Carr, consisting of a collection of literary sketches. It is an evocative work that describes in vivid detail the influence that the Indigenous people and culture of the Northwest Coast had on Carr. Klee Wyck (“Laughing One”) is the name the Nuu-chah-nulth (Nootka) people gave her. The book won a Governor General’s Literary Award for nonfiction in 1941 and has been translated into French.

Grand Portage was a fur-trade depot and route of the voyageurs at the western extremity of Lake Superior.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.