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​Carl Beam (Carl Edward Migwans), artist (born 24 May 1943 in West Bay, Manitoulin Island, ON [now M’Chigeeng First Nation]; died 30 July 2005 in M’Chigeeng First Nation). The first contemporary Indigenous artist whose work was acquired by the National Gallery of Canada, Beam was one of Canada’s most ground-breaking Indigenous artists. (See also Contemporary Indigenous Art in Canada.)

The Group of Seven, also known as the Algonquin School, was a school of landscape painters. It was founded in 1920 as an organization of self-proclaimed modern artists and disbanded in 1933. The group presented the dense, northern boreal forest of the Canadian Shield as a transcendent, spiritual force. Their depictions of Canada’s rugged wind-swept forest panoramas were eventually equated with a romanticized notion of Canadian strength and independence. Their works were noted for their bright colours, tactile paint handling, and simple yet dynamic forms. In addition to Tom Thomson, David Milne and Emily Carr, the Group of Seven were the most important Canadian artists of the early 20th century. Their influence is seen in artists as diverse as abstract painter Jack Bush, the Painters Eleven, and Scottish painter Peter Doig.

The history of Indigenous art in Canada begins sometime during the last Ice Age between 80,000 and 12,000 years ago. To date, however, the oldest surviving artworks (excluding finely crafted, aesthetically significant stone tools) are datable to no earlier than 5,000 years ago.

While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy Stevens, Frances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.

Mary Matilda Hamilton (née Riter), artist (born 7 September c. 1867 in Teeswater, ON; died 5 April 1954 in Coquitlam, BC). Mary Riter Hamilton was a painter who exhibited her works in Europe and across Canada. Shortly after the fighting stopped, Hamilton travelled to Europe to paint First World War battlefield landscapes before they were cleared (see War Artists). She produced over 350 works in three years, which are a document of the destruction and devastation caused by the war.

Canadian painting in the 19th century tended towards the pastoral. It depicted idyllic scenes of rural life and represented the country as a wondrous Eden. Canadian painter Homer Watson, under the influence of such American masters as Frederic Edwin Church and Albert Bierstadt, created images that are serene and suffused with golden light. In On the Mohawk River (1878), for instance, a lazy river ambles between tall, overhanging trees; in the background is a light-struck mountain. In Watson’s world, nature is peaceful, unthreatening and perhaps even sacred.

Gordon Appelbe Smith, CM, OBC, painter, printmaker, teacher, philanthropist (born 18 June 1919 in East Brighton, England; died 18 January 2020 in West Vancouver, BC). Gordon Smith was a key figure in Vancouver’s art scene during the latter half of the 20th century. He was best known for his monumental, modernist abstractions of the West Coast landscape, and for his long and influential career as a teacher and philanthropist. He was made a Member of the Order of Canada for making “a major contribution to the development of the fine arts in Canada.” He also received the Order of British Columbia, the Audain Prize for Lifetime Achievement in the Visual Arts, and the Governor General's Award in Visual and Media Arts.

Molly Joan Bobak, née Lamb, CM, ONB, RCA, artist, teacher (born 25 February 1920 in Vancouver, BC; died 1 March 2014 in Fredericton, NB). Molly Lamb Bobak joined the Canadian Women’s Army Corps in 1942. In 1945, she became the first woman to be named an official Canadian war artist. She led workshops across Canada, gave live art lessons on television and served on many boards and arts councils. She was a member of the Royal Canadian Academy of Arts and received honorary degrees from the University of New Brunswick, Mount Allison University and St. Thomas University. She was appointed to the  Order of Canada in 1995 and to the Order of New Brunswick in 2002.  

When Canada declared war on Germany on 10 September 1939, tens of thousands of Canadians enlisted to serve in the army, navy,  air force and supporting services. The military scrambled to buy equipment, train recruits and prepare for war. Little thought was given, at first, to documenting the war effort. By 1940, however, the military was recruiting historians, most notably Charles Stacey, to collect records and write accounts of Canadian operations. In the following years, artists, photographers and filmmakers also served with the various branches of the armed forces. Today, their diligent work provides a rich visual and written catalogue of Canada’s history in the Second World War.

Acceleration is a thriller about teenage slackers in Toronto who track down a mysterious psychopath. The mystery by Canadian author Graham McNamee was first published in hardcover by Wendy Lamb Books in 2003. It was released in paperback by Ember in 2012. Acceleration won a prestigious Edgar Award as best young adult mystery from the Mystery Writers of America, as well as an Arthur Ellis Award for excellence in Canadian crime writing from the Crime Writers of Canada. It was also included in the “Best Books for Young Adults” list compiled by the American Library Association in 2004.

Yann Martel’s third novel, Life of Pi (2001), follows protagonist Piscine “Pi” Patel on a journey of survival after the cargo ship carrying him and his family sinks in the Pacific Ocean. As the lone survivor, Pi spends 227 days on a lifeboat in the company of a Bengal tiger named Richard Parker. The fantasy-adventure novel explores the tensions between spirituality and practicality, and between reason and imagination. It also raises questions about the nature of stories. The international bestseller gained Martel global recognition and won a number of awards and accolades, including the Hugh MacLennan Prize for Fiction, the Man Booker Prize for Fiction and the Asian/Pacific American Award for Literature. The 2012 film adaptation, written by David Magee and directed by Ang Lee, grossed more than US$600 million worldwide and won four Academy Awards.

The Bloc populaire canadien is an anti-conscription and nationalist political party of the 1940s. The party participated in federal elections and in Quebec provincial elections. The Bloc received some minor electoral successes, but, by 1948, its influence had drastically diminished and the party faded away.

Henri Bourassa, politician, journalist (born 1 Sept 1868 in Montreal; died 31 Aug 1952 in Montreal). Henri Bourassa was an important Canadian nationalist leader who supported Canada’s increased independence from the British Empire. Bourassa was also an advocate for French Canadian rights within Canada.

Ewing Hunter Harrison III, president and CEO of Canadian National Railway Company 2003–09, CEO of Canadian Pacific Railway Limited 2012–17 (born 7 November 1944 in Memphis, Tennessee; died 16 December 2017 in Wellington, Florida). Best known as the leading proponent of Precision Scheduled Railroading, Hunter Harrison ran four publicly traded, Class 1 railroads during his more than half century in the industry. His leadership of Canada’s two largest railway companies greatly improved the efficiency and profitability of both businesses.

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The First World War forever changed Canada. Some 630,000 Canadians enlisted from a nation of not yet eight million. More than 66,000 were killed. As the casualties mounted on the Western Front, an expatriate Canadian, Sir Max Aitken (Lord Beaverbrook), organized a program to document Canada’s war effort through art, photography and film. This collection of war art, made both in an official capacity and by soldiers themselves, was another method of forging a legacy of Canada’s war effort.