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Totem Pole

The totem pole (also known as a monumental pole) is a tall structure carved out of cedar wood, created by Northwest Coast Indigenous peoples to serve variously as a signboard, genealogical record and memorial. Some well-known carvers include Mungo Martin, Charles Edenshaw, Henry Hunt, Richard Hunt and Stanley Hunt.

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Quillwork

Quillwork refers to the Indigenous art of using coloured porcupine quills to decorate various items such as clothing, bags, medicine bundles and regalia. Quillwork pieces have been preserved in museums and cultural centres across North America. Now considered a rare artform, elders and specialized artists use quillwork to promote cultural traditions.

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Cultural Appropriation of Indigenous Peoples in Canada

Cultural appropriation is the use of a people’s traditional dress, music, cuisine, knowledge and other aspects of their culture, without their approval, by members of a different culture. For Indigenous peoples in Canada, cultural appropriation is rooted in colonization and ongoing oppression. Indigenous peoples have seen culturally significant symbols and motifs used in non-Indigenous goods, marketing and art. They have also seen stereotypical images of “Indians” used in sports logos and the sale of various products.

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Human Geography and Canada

Human geography studies the relationships between people and the environments in which they live. Within the field of human geography there are five main areas of study. These areas are economic geography, cultural geography, political geography, urban geography and environmental geography. In Canada, human geographers might study the status of Indigenous languages or differences between rural and urban Canadians, among many other topics.

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Quebec as a Distinct Society

The concept of “distinct society” distinguishes Quebec from English Canada.

This concept originated during the Quiet Revolution, at a time when French Canada came to no longer be seen as a single entity, but as a collection of regional francophone communities. It is found in the 1965 preliminary report of the Royal Commission on Bilingualism and Biculturalism shared by Laurendeau and Dunton. It was subsequently used on a number of occasions, notably during the negotiation of the Meech Lake Accord (1987–90). Today, the concept of “distinct society” continues to be used in debates regarding various political, social and cultural issues.

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Potlatch

The potlatch (from the Chinook word Patshatl) is a ceremony integral to the governing structure, culture and spiritual traditions of various First Nations living on the Northwest Coast and in parts of the interior western subarctic. It primarily functions to redistribute wealth, confer status and rank upon individuals, kin groups and clans, and to establish claims to names, powers and rights to hunting and fishing territories.

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Lawrence Paul Yuxweluptun

Lawrence Paul Yuxweluptun, Coast Salish and Okanagan (see Interior Salish) artist and activist (born in 1957 at Kamloops, British Columbia). Yuxweluptun trained at the Emily Carr College of Art (now the Emily Carr University of Art and Design) in the late 1970s and early 1980s, focusing on historical European art. His paintings employ both traditional Northwest Coast imagery (see Northwest Coast Indigenous Art) and surrealist visual language to critique colonialism, racism against Indigenous peoples, capitalism, and environmental destruction, among other issues. In addition to paintings, Yuxweluptun has produced multimedia artworks, videos and performances that are political in nature. In 2013, Yuxweluptun was awarded a Fellowship at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, USA. Yuxweluptun’s art is featured in the permanent collections of many prominent galleries and museums in North America.

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Anishinaabe

Anishinaabe (other variants include Anishinabe, Anicinape, Nishnaabe, Neshnabé and Anishinabek) refers to a group of culturally and linguistically related First Nations that live in both Canada and the United States, concentrated around the Great Lakes. The Anishinaabeg (plural form of Anishinaabe) live from the Ottawa River Valley west across Northern Ontario and to the plains of Saskatchewan south to the northeast corner of North Dakota, northern Minnesota and Michigan, as well as the northern shores of Lakes Ontario and Erie. The Ojibwe, Chippewa, Odawa, Potawatomi, Algonquin, Saulteaux, Nipissing and Mississauga First Nations are Anishinaabeg. Some Oji-Cree First Nations and Métis also include themselves within this cultural-linguistic grouping. (See also Indigenous Peoples in Canada.)

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Two-Spirit

​Two-Spirit, a translation of the Anishinaabemowin term niizh manidoowag, refers to a person who embodies both a masculine and feminine spirit. Activist Albert McLeod developed the term in 1990 to broadly reference Indigenous peoples in the lesbian, gay, bisexual, transgender and queer (LGBTQ) community. Two-spirit is used by some Indigenous peoples to describe their gender, sexual and spiritual identity. (See also Lesbian, Gay, Bisexual and Transgender Rights in Canada.)

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Olivia Poole

Susan Olivia Davis Poole, inventor (born 18 April 1889 in Devils Lake, North Dakota; died 10 October 1975 in Ganges, BC). Olivia Poole was raised on the Ojibwe White Earth Reservation in Minnesota. There, she was inspired by the traditional practice of using a bouncing cradleboard to soothe babies. In 1957, she patented her invention of the baby jumper, under the name Jolly Jumper, making her one of the first Indigenous women in Canada to patent and profit from an invention.

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Medicine Bundles

Medicine bundles (also called “sacred bundles”), wrapped collections of spiritually significant items, were the focus of most Indigenous spiritual rituals in the Plains region (see Plains Indigenous Peoples in Canada). A bundle might be a few feathers wrapped in skin or a multitude of objects such as animal skins, roots, or stone pipes inside a rawhide bag.

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Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

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Indigenous Language Revitalization in Canada

Before European settlement in Canada, Indigenous peoples spoke a wide variety of languages. As a means of assimilating Indigenous peoples, colonial policies like the Indian Act and residential schools forbid the speaking of Indigenous languages. These restrictions have led to the ongoing endangerment of Indigenous languages in Canada. In 2016, Statistics Canada reported that for about 40 Indigenous languages in Canada, there are only about 500 speakers or less. Indigenous communities and various educational institutions have taken measures to prevent more language loss and to preserve Indigenous languages.

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Indigenous Sign Languages in Canada

In addition to the spoken word, some Indigenous cultures historically have used sign languages to communicate. Though a small number of people know Indigenous sign languages, American Sign Language and Quebec Sign Language have largely replaced Indigenous sign languages in Canada. Efforts are underway in a variety of Indigenous communities to revitalize these lost systems of communication. (See also Deaf Culture and Indigenous Languages in Canada.)

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Jean Cuthand Goodwill

Jean Cuthand Goodwill, OC, nurse, public servant and Indigenous health and education advocate (born 14 August 1928 on the Poundmaker Cree Nation, SK; died 25 August 1997 in Regina, SK). Cuthand Goodwill was one of the first Indigenous registered nurses in Canada. In 1974, she cofounded Indian and Inuit Nurses of Canada (now known as the Canadian Indigenous Nurses Association). She was a lifelong organizer, writer and educator who promoted First Nations health and culture.