Search for "Indigenous Art"

Displaying 1-20 of 258 results
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Carl Ray

Carl Ray, Cree artist, illustrator, editor and art teacher (born January 1943 in Sandy Lake, ON; died 26 September 1978 in Sioux Lookout, ON). Ray was known for his innovative paintings in the Woodlands style and was a founding member of the Indian Group of Seven. Ray’s work has influenced Indigenous art in Canada and can be found in the collections of various galleries and museums across the country.

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Jackson Beardy

Jackson Beardy (also known as Quincy Pickering Jackson Beardy), Oji-Cree artist (born 24 July 1944 at Island Lake, MB; died 8 December 1984 in Winnipeg, MB). Beardy was part of the Woodlands School of Indigenous art, and in 1973 he became part of a group of Indigenous artists popularly known as the Indian Group of Seven. His stylized artworks — sometimes painted on canvas, birch bark or beaver skins — were often concerned with the interdependence of humans and nature. They also tended to depict figures from Ojibwe and Cree oral traditions. From the late 1960s to his death in the early 1980s, Beardy promoted Indigenous art as a valid category of contemporary art. His influence as a Woodland artist has contributed to the development of contemporary Indigenous art in Canada.

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Northwest Coast Indigenous Art

More than 3,000 years ago, Indigenous peoples of the coast of British Columbia (and adjacent areas of Washington State and southeastern Alaska) such as the Haida and Kwakwaka'wakw developed artistic traditions that are heralded throughout the world for their imaginative and stylistic qualities.

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Totem Pole

The totem pole (also known as a monumental pole) is a tall structure carved out of cedar wood, created by Northwest Coast Indigenous peoples to serve variously as a signboard, genealogical record and memorial. Some well-known carvers include Mungo Martin, Charles Edenshaw, Henry Hunt, Richard Hunt and Stanley Hunt.

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Indigenous Peoples

Indigenous (Aboriginal) Peoples are the original inhabitants of the land that is now Canada. Inuit and First Nations history extends well before the arrival of Europeans in Canada, while Métis emerged as a distinct culture after intermarriage between European settlers and First Nations people.

Indigenous people were essential to the development of early Canada, but suffered massive population declines due to the arrival of European disease. In addition, though they were often military allies, they faced persecution at the hands of colonial governments in the form of displacement, starvation, land seizure and cultural genocide through residential schools and destructive legislation.

Indigenous people live throughout Canada and continue to strive to reinvigorate traditional culture and ways of life.

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Contemporary Indigenous Art in Canada

Contemporary Indigenous art is that which has been produced by Indigenous peoples between around 1945 to the present. Since that time, two major schools of Indigenous art have dominated the contemporary scene in Canada:  Northwest Coast Indigenous Art and the Woodlands school of Legend Painters. As well, a more widely scattered group of artists work independently in the context of mainstream Western artand may be described as internationalist in scope and intent.

Contemporary Inuit art has evolved in parallel with contemporary Indigenous art, producing celebrated artists like Zacharias Kunuk and Annie Pootoogook.

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Tom Thomson

Thomas John Thomson, painter (born 5 August 1877 in Claremont, ON; died 8 July 1917 in Algonquin Provincial Park, ON). Tom Thomson was the most influential and enduringly popular Canadian artist of the early 20th century. An intense, wry and gentle artist with a canny sensibility, he was an early inspiration for what became the Group of Seven. He was one of the first painters to give acute visual form to the Canadian landscape. His works portray the natural world in a way that is poetic but still informed by direct experience. Many of his paintings, such as The West Wind (1916–17) and The Jack Pine (1916–17), have become icons of Canadian culture. He produced about 50 canvases and more than 400 sketches in his short professional career. His legend only grew after his untimely death at the age of 39.

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Mary Riter Hamilton

Mary Matilda Hamilton (née Riter), artist (born 7 September c. 1867 in Teeswater, ON; died 5 April 1954 in Coquitlam, BC). Mary Riter Hamilton was a painter who exhibited her works in Europe and across Canada. Shortly after the fighting stopped, Hamilton travelled to Europe to paint First World War battlefield landscapes before they were cleared (see War Artists). She produced over 350 works in three years, which are a document of the destruction and devastation caused by the war.

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Barton Myers

Barton Myers, RCA, FRAIC, architect (born 6 November 1934 in Norfolk, Virginia). Barton Myers is considered one of Toronto’s most influential architects, even though he hasn’t worked in Canada for more than 30 years. His architecture is notable for its activist stance on city design. He is passionate about the health of cities and the need to balance preservation and renewal. Much of his early seminal work in Canada is focused on mixed-use prototypes, infill housing and the sensitive combination of old and new to create richly layered urban environments. His innovative approach breathed new life into neighbourhoods slated for the wrecking ball and left a lasting mark on the city of Toronto.

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Powwows in Canada

Powwows are celebrations that showcase Indigenous music, dances, regalia, food and crafts. Commonly hosted by First Nations communities (either on reserve or in urban settings), powwows are often open to non-Indigenous and Métis and Inuit peoples alike. Contemporary powwows originated on the Great Plains during the late 19th century and, since the 1950s, have been growing in size, number and popularity. Powwows serve an important role in many Indigenous peoples’ lives as a forum to visit family and friends, and to celebrate their cultural heritage, while also serving as a site for cross-cultural sharing with other attendees and participants. Indeed, powwows provide the opportunity for visitors to learn about, and increase their awareness of, traditional and contemporary Indigenous life and culture.

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Longhouse

A longhouse was the basic house type of pre-contact northern Iroquoian-speaking peoples, such as the Huron-Wendat, Haudenosaunee, Petun and Neutral. The longhouse sheltered a number of families related through the female line. In the 1700s, European-style single-family houses gradually replaced longhouses as primary residences. However, longhouses still function as important facilities in which some Indigenous peoples conduct ceremonies, political meetings and various community gatherings.

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Salish Woolly Dog

The Salish Woolly dog was an important part of Coast Salish life throughout southern Vancouver Island, the Strait of Georgia, and Washington State, as the dogs’ hair was used to weave clothing and blankets. Due to the increased presence of European settlers and their machine-spun sheep wool, the Salish Woolly dog population declined in the 1800s until its extinction around 1900.