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While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy Stevens, Frances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.

Mary Matilda Hamilton (née Riter), artist (born 7 September c. 1867 in Teeswater, ON; died 5 April 1954 in Coquitlam, BC). Mary Riter Hamilton was a painter who exhibited her works in Europe and across Canada. Shortly after the fighting stopped, Hamilton travelled to Europe to paint First World War battlefield landscapes before they were cleared (see War Artists). She produced over 350 works in three years, which are a document of the destruction and devastation caused by the war.

Molly Joan Bobak, née Lamb, CM, ONB, RCA, artist, teacher (born 25 February 1920 in Vancouver, BC; died 1 March 2014 in Fredericton, NB). Molly Lamb Bobak joined the Canadian Women’s Army Corps in 1942. In 1945, she became the first woman to be named an official Canadian war artist. She led workshops across Canada, gave live art lessons on television and served on many boards and arts councils. She was a member of the Royal Canadian Academy of Arts and received honorary degrees from the University of New Brunswick, Mount Allison University and St. Thomas University. She was appointed to the Order of Canada in 1995 and to the Order of New Brunswick in 2002.

The following article is an editorial written by The Canadian Encyclopedia staff. Editorials are not usually updated.

Canadian painting in the 19th century tended towards the pastoral. It depicted idyllic scenes of rural life and represented the country as a wondrous Eden. Canadian painter Homer Watson, under the influence of such American masters as Frederic Edwin Church and Albert Bierstadt, created images that are serene and suffused with golden light. In On the Mohawk River (1878), for instance, a lazy river ambles between tall, overhanging trees; in the background is a light-struck mountain. In Watson’s world, nature is peaceful, unthreatening and perhaps even sacred.

The Holocaust is defined as the systematic persecution and murder of 6 million Jews and 5 million non-Jews, including Roma and Sinti, Poles, political opponents, LGBTQ people and Soviet prisoners of war (POWs), by Nazi Germany from 1933 to 1945. Jews were the only group targeted for complete destruction. Nazi racial ideology considered them subhuman. Though Jewish Canadians did not experience the Holocaust directly, the majority endured anti-Semitism in Canada. Jewish Canadians were only one generation removed from lands under German occupation from 1933 to 1945. They maintained close ties to Jewish relatives in those lands. These ties affected the community’s response to the Holocaust. There was, for instance, a disproportionate representation of Jews in the Canadian armed forces. Jewish Canadians were also heavily involved in postwar relief efforts for displaced persons and Holocaust survivors in Europe.

When Canada declared war on Germany on 10 September 1939, tens of thousands of Canadians enlisted to serve in the army, navy,  air force and supporting services. The military scrambled to buy equipment, train recruits and prepare for war. Little thought was given, at first, to documenting the war effort. By 1940, however, the military was recruiting historians, most notably Charles Stacey, to collect records and write accounts of Canadian operations. In the following years, artists, photographers and filmmakers also served with the various branches of the armed forces. Today, their diligent work provides a rich visual and written catalogue of Canada’s history in the Second World War.

The First World War forever changed Canada. Some 630,000 Canadians enlisted from a nation of not yet eight million. More than 66,000 were killed. As the casualties mounted on the Western Front, an expatriate Canadian, Sir Max Aitken (Lord Beaverbrook), organized a program to document Canada’s war effort through art, photography and film. This collection of war art, made both in an official capacity and by soldiers themselves, was another method of forging a legacy of Canada’s war effort.