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As a musical unit, a pipe band usually consists of a bagpipe corps and a drum corps, the latter comprising side drums, a bass drum, and tenors (the last optional). The earliest organized pipe bands in Canada were probably those of Highland regiments made up of Scottish Canadians. Pipe Bands are most common among Armed Forces regiments and municipal police services. (See also Armed Forces Bands in Canada; Police Bands in Canada.)

According to legend, Sheila Na Geira (also spelled NaGeira and Nagira) was an Irish aristocrat or princess who, 300 or 400 years ago, while travelling between France and Ireland, was captured by a Dutch warship and then rescued by British privateers. She fell in love and was married to one of the privateers, Lieutenant Gilbert Pike. They settled at western Conception Bay. By the early 20th century, the legend was being told as part of Newfoundland’s oral tradition, and has since been popularized by poems, novels, scholarly articles and several plays.

The Polaris Music Prize was founded by Steve Jordan in 2006 and is awarded annually to the Canadian artist or group who creates the best full-length album. The mandate of the Polaris Music Prize has been likened to that of the UK’s Mercury Prize; all genres of contemporary music are eligible, and albums are judged on artistic merit rather than on commercial success. The winner is announced at the Polaris Music Prize Gala held each September in Toronto. The original cash prize of $20,000 was increased to $30,000 in 2011 and to $50,000 in 2015. Shortlisted artists have often performed at the Gala, which is broadcast live on CBC Radio 3 and YouTube.

The Hudson’s Bay Point Blanket is a wool blanket with a series of stripes and points (markers on cloth) first made for the Hudson’s Bay Company (HBC) in 1779. The most iconic design is that which is white with green, red, yellow and indigo stripes; these colours are now used as an emblem for the HBC. While the HBC was not the first to create the point blanket, the company did popularize it among Indigenous and settler communities in Canada. Today, the design from the blanket is used on a variety of clothing, accessories and household items sold by the HBC.

Like Guy MADDIN's previous features, Careful has been admired for its painstaking reconstruction of the styles and traditions of forgotten moments in film history.

Michael SNOW's Wavelength (1967), Canada's most famous and widely seen EXPERIMENTAL FILM, is a minimalist masterpiece and an important, influential work in the history of cinema.

The history of visual artists' groups in Canada is filled with short-lived societies which have had a major influence on both professional and amateur artists.

Architecture under the French colonial regime was characterized less by its achievements than by its unfulfilled ambitions. Caught between ideals nurtured in France during the classical period and the harsh climate of New France, architecture gradually came to reflect local resources.

The history of Indigenous art in Canada begins sometime during the last Ice Age between 80,000 and 12,000 years ago. To date, however, the oldest surviving artworks (excluding finely crafted, aesthetically significant stone tools) are datable to no earlier than 5,000 years ago.

This entry presents an overview of Quebec cinema, from the explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986) to the setback that followed 10 years later and the new wave of filmmaking that emerged at the beginning of the 21st century. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

This entry presents an overview of Quebec cinema, from its beginnings in the silent film era to the burgeoning of a distinctly Quebec cinema in the 1960s. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women’s cinema.

Music bands are large instrumental ensembles consisting mainly of brass, woodwind, and percussion instruments. Traditionally, bands have been associated with outdoor activities or ceremonies, e.g., to accompany marching, add cheer to festivities, and contribute to the pomp of state occasions. The symphonic (concert) band is a modern refinement; the jazz and dance band are distant relations. The predominance of bands over orchestras and chamber ensembles was due also to the fact that band instruments can be learned more quickly than string or keyboard instruments. Furthermore, the extroverted music and vigorous sound of bands, their suitability for rousing patriotic emotions, and their usefulness in enhancing non-musical events made them popular.

A wigwam is a domed or cone-shaped house that was historically used by Indigenous peoples. It was prevalent in the eastern half of North America before the era of colonization. Today, wigwams are used for cultural functions and ceremonial purposes. (See also Architectural History of Indigenous Peoples in Canada.)

​The term “Acadian literature” is associated with literary works created by francophones in the Maritimes.

Historically, Inuit used a simple tent, known as a tupiq (the plural form is tupiit), while travelling or hunting during the summer months. Today, the traditional tupiq is rarely used (because modern variations have largely replaced it), but some Inuit elders and communities are working to keep the tupiq, and other Inuit traditions, alive. (See also  Architectural History of Indigenous Peoples in Canada.)

The Belfry's history began in 1974, when University of Victoria graduate student Blair Shakel started making theatrical use of the unheated Springridge Chapel of the Emmanuel Baptist Church in the heart of the ailing Fernwood neighbourhood.