Toronto Feature: The Eaton Auditorium

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Gould Sculpting Sound
Pianist Glenn Gould sculpting sound with his free hand, circa 1950s (courtesy Toronto Star).
The Carlu Auditorium
In 2012; formerly Eaton's Auditorium (photo by James Marsh).
Eaton\u0092s Auditorium, 1940s
Around the time of Gould\u0092s debut, circa 1945 (courtesy T. Eaton Company fonds, Archives of Ontario/F 229-308-0-61).

Toronto Feature: The Eaton Auditorium

"Glenn Gould's Debut: 'People Simply Cannot Play the Piano Like That!'"

This text is from the free Toronto in Time app, which was created by The Canadian Encyclopedia and is available from the App Store and the Google Play store. Visit its companion website, which is linked below, to explore all the features of the app online.

Glenn Gould made his professional debut on the piano at Eaton Auditorium (see the Carlu), at age 14. He played Beethoven, Chopin and other great composers with, the critics wrote, "genius as profound as their own."

Gould went on to astound the world with his playing, and the only other word than "genius" to characterize him was "eccentric." Sitting at the piano on a rickety, cut-down chair, he would sway rhythmically, hum, close his eyes in ecstasy, a free hand molding a musical sculpture in the air. Glenn Gould played with the same mystical communion whether he was alone at home or on the stage of the Moscow Conservatory. There, composer Dimitry Tolstoy declared "Gould was an alien on this Earth. People simply cannot play the piano like that!"

After a single "other worldly" concert in New York, Columbia Records signed him to a contract. His recording of Bach's Goldberg Variations catapulted him to worldwide fame. Gould quit the concert stage in 1964 to devote himself strictly to his recordings, many of which were made in this same auditorium. Since his premature death, on October 4, 1982, age 50, Gould's recordings have been the source of endless admiration. He was perhaps Toronto's, even Canada's, greatest musical genius.