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Editorial

Paul Chomedey de Maisonneuve, Jeanne Mance and the Founding of Montreal

Radiant sunshine bathed the Island of Montreal on the morning of May 18th, 1642. The hawthorns and wild cherry trees were in blossom and the meadow, where a group of French colonists had set up an altar, was dotted with trilliums and violets. Father Vimont celebrated mass, and declared that the new settlement, which they called Ville-Marie, was "only a grain of mustard seed... I have no doubt that this small seed will produce a tall tree that will bring forth wonders some day."

Editorial

Editorial: The Arrival of Black Loyalists in Nova Scotia

“Freedom and a Farm.” The promise was exciting to the thousands of African Americans, most seeking to escape enslavement, who fought in British regiments during the American Revolutionary War (1775–83). Following the war, they joined tens of thousands of Loyalists — American refugees who had sided with the British. Between 80,000 and 100,000 Loyalists eventually fled the United States. About half came to British North America. The main waves arrived in 1783 and 1784. The territory that now includes the Maritime provinces became home to more than 30,000 Loyalists. Most of coastal Nova Scotia received Loyalist settlers, as did Cape Breton and Prince Edward Island (then called St. John’s Island).

Editorial

Editorial: William Lyon Mackenzie and the Rebellion in Upper Canada

At 8:00 p.m. on Monday, 4 December 1837, William Lyon Mackenzie set out by horse down Yonge Street to scout the route for his attack on Toronto. At the top of Gallows Hill (below St. Clair Ave.) he met Tory alderman John Powell, himself on patrol from the city. Mackenzie and his men took Powell prisoner. “Do you have a gun?” Mackenzie asked Powell. “No,” Powell replied. Mackenzie took his word as a gentleman and sent him back toward the rebel headquarters at Montgomery’s Tavern.

Article

Quebec Film History: 1970 to 1989

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

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