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Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Maisie Hurley, née Maisie Amy Campbell-Johnston, Vancouver-area political activist, Indigenous ally (see Indigenous Peoples in Canada), newspaper founder and art collector (born 27 November 1887 in Swansea, Wales; died 3 October 1964 in North Vancouver, British Columbia). Although Hurley had no formal legal training or law degree (see Legal Education), she worked on several legal cases and advocated for Indigenous peoples’ basic human rights as well as for changes to the Indian Act. In 1946, Hurley started a newspaper called The Native Voice that aimed to bring attention to important issues concerning Indigenous communities across Canada (see Rights of Indigenous Peoples in Canada). In 2011, Hurley’s collection of Indigenous art was displayed at the North Vancouver Museum.

Andrew Qappik, CM, RCA, Inuk graphic artist and printmaker (born 25 February 1964 in Nunataq, in what is now known as Nunavut). Qappik helped design the Nunavut flag and coat of arms, as well as the logo for the Government of Nunavut. In 2017, he was appointed to the Order of Canada “for his contributions to defining the visual culture of Nunavut as a master printmaker and sculptor.” He is based in Panniqtuuq (Pangnirtung), Nunavut.

Eric Walters’s The Bully Boys (2000) is a work of historical fiction for young adults. It follows Tom Roberts, a young farm boy who aids and observes Lieutenant James FitzGibbon and his mercenary soldiers during the War of 1812.

A longhouse was the basic house type of pre-contact northern Iroquoian-speaking peoples, such as the Huron-Wendat, Haudenosaunee, Petun and Neutral. The longhouse sheltered a number of families related through the female line. In the 1700s, European-style single-family houses gradually replaced longhouses as primary residences. However, longhouses still function as important facilities in which some Indigenous peoples conduct ceremonies, political meetings and various community gatherings. (See also Architectural History of Indigenous Peoples in Canada.)

Eric Walters’s young adult novel Shattered (2006) tells the story of Ian Blackburn. He is shaken out of his privileged life when he meets Jack, a homeless veteran of the Canadian Armed Forces. A member of the failed United Nations peacekeeping mission to Rwanda, Jack introduces Ian to some of humanity’s darkest moments. Shattered received the 2007 Ontario Library Association’s White Pine Award for best Canadian children’s book and the 2007 National Chapter of Canada International Order of the Daughters of Empire Violet Downey Book Award.

Acceleration is a thriller about teenage slackers in Toronto who track down a mysterious psychopath. The mystery by Canadian author Graham McNamee was first published in hardcover by Wendy Lamb Books in 2003. It was released in paperback by Ember in 2012. Acceleration won a prestigious Edgar Award as best young adult mystery from the Mystery Writers of America, as well as an Arthur Ellis Award for excellence in Canadian crime writing from the Crime Writers of Canada. It was also included in the “Best Books for Young Adults” list compiled by the American Library Association in 2004.

Crow Lake is the debut novel by Mary Lawson, a Canadian-born author who lives in Britain. Set in a fictional community in Northern Ontario, Crow Lake tells the story of four children who are orphaned after their parents are killed in a traffic accident. Published in 2002, the novel was a best-seller in Canada and the United States. It has been published in more than two dozen countries and in several languages. It won the Books in Canada First Novel Award (now the Amazon.com First Novel Award) in 2003, as well as the McKitterick Prize for a first novel published in the United Kingdom by an author older than 40. In 2010, CBC Radio listeners selected Crow Lake as one of the Top 40 essential Canadian novels of the decade. It was also listed as one of 150 books to read for Canada’s sesquicentennial celebrations in 2017.

William Bell’s first novel, Crabbe (1986), tells the story of a disaffected teenager who escapes to the wilderness, only to learn that running away will not solve his problems. Crabbe has become a popular choice for school curricula across North America. A 2017 study found that it was among the 20 most-cited books in Ontario classrooms. It was one of only three Canadian books on the list, along with Joseph Boyden’s Three Day Road and Yann Martel’s Life of Pi. The literary quarterly Canadian Literature attributed the book’s longevity to its “convincing narrative voice” and “precisely observed sense of detail.”

Eric Walters’s novel Run (2003) is a fictionalized account of Terry Fox’s Marathon of Hope. The book follows troubled youth Winston Macdonald, who is inspired to stop running away from his problems after he befriends Fox in 1980. Run is both the first book for young adults and the first fictionalized book about Terry Fox endorsed by the Fox family. Author royalties from the sales of Run are donated to the Terry Fox Foundation. The novel’s audio version received the 2004 Torgi Award for Books in Alternative Formats.

Award-wining writer Don Aker’s The First Stone tells the story of Reef, an embittered and troubled young man who, in a mindless rage, hurls a rock from an overpass and injures Leeza, who is in mourning for an older sister. The two teenagers unexpectedly come together to begin the slow process of healing. The First Stone was first published in 2003 by HarperTrophy Canada. It won the Ontario Library Association’s White Pine Award and Atlantic Canada’s Ann Connor Brimer Award in 2004. It was also one of five young adult novels selected for CBC Radio’s “Young Canada Reads” series in 2006.

Language is a form of communication. More specifically, language is a communication system based on human sounds. There are, however, other forms of communication systems based on touch, scent, movement, colour, gesture and even the electrical impulses that pass through computers.

A wigwam is a domed or cone-shaped house that was historically used by Indigenous peoples. It was prevalent in the eastern half of North America before the era of colonization. Today, wigwams are used for cultural functions and ceremonial purposes. (See also Architectural History of Indigenous Peoples in Canada.)

Before European settlement in Canada, Indigenous peoples spoke a wide variety of languages. As a means of assimilating Indigenous peoples, colonial policies like the Indian Act and residential schools forbid the speaking of Indigenous languages. These restrictions have led to the ongoing endangerment of Indigenous languages in Canada. In 2016, Statistics Canada reported that for about 40 Indigenous languages in Canada, there are only about 500 speakers or less. Indigenous communities and various educational institutions have taken measures to prevent more language loss and to preserve Indigenous languages.

Before the arrival of Europeans, Indigenous peoples in Canada had their own building traditions. Dwellings and structures differed vastly from nation to nation, depending on their purpose and function. Building traditions also reflected important aspects of Indigenous peoples’ respective cultures, societies, geographies, environments and spiritual beliefs. This article provides an overview of the main types of dwellings and structures used by Indigenous peoples in the Arctic, Subarctic, Northwest Coast, Plateau, Plains and Eastern Woodlands.

While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy Stevens, Frances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.

“Hallelujah” is arguably poet and singer-songwriter Leonard Cohen’s best-known song. Considered by many to be one of the greatest songs of all time, it was ranked No. 11 on CBC Music’s list of the 100 Best Canadian Songs Ever. “Hallelujah” failed to garner much attention when it was initially released in 1985, but became increasingly popular after various artists — most notably Jeff Buckley, k.d. lang and Rufus Wainwright — performed covers of it. Since its release, “Hallelujah” has been covered by over 300 artists and has been used in numerous movies and television shows.

​The Art Association of Montreal, the forerunner of the Montreal Museum of Fine Arts, was founded in 1860.