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Eric Walters’s The Bully Boys (2000) is a work of historical fiction for young adults. It follows Tom Roberts, a young farm boy who aids and observes Lieutenant James FitzGibbon and his mercenary soldiers during the War of 1812.

Objects of curiosity as well as of conquest, the Indigenous people of the New World were first depicted on maps by illustrators who had no direct knowledge of their subject.

In 1986, some 189,000 people of Hungarian origin were living in Canada. The first Hungarians arrived via the USA ca. 1886 and settled in Manitoba and Saskatchewan. Other groups immigrated between 1901 and 1911 and several established communities in Alberta.

While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy Stevens, Frances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Maisie Hurley, née Maisie Amy Campbell-Johnston, Vancouver-area political activist, Indigenous ally (see Indigenous Peoples in Canada), newspaper founder and art collector (born 27 November 1887 in Swansea, Wales; died 3 October 1964 in North Vancouver, British Columbia). Although Hurley had no formal legal training or law degree (see Legal Education), she worked on several legal cases and advocated for Indigenous peoples’ basic human rights as well as for changes to the Indian Act. In 1946, Hurley started a newspaper called The Native Voice that aimed to bring attention to important issues concerning Indigenous communities across Canada (see Rights of Indigenous Peoples in Canada). In 2011, Hurley’s collection of Indigenous art was displayed at the North Vancouver Museum.

Few countries possess a folk music as rich and culturally varied as Canada's. Traditional folk music of European origin has been present in Canada since the arrival of the first French and British settlers in the 16th and 17th centuries (see Folk Music, Anglo-Canadian; Folk music, Franco-Canadian).

With the emergence of the Black Theatre Workshop in the late 1960s, Black theatre began to flourish across Canada, providing dynamic venues for the work of Black playwrights, directors, and actors.

Conferences and congresses. Canada has played host with increasing frequency to meetings of worldwide and North American musical organizations.

By the 1920s comics were an established popular art form in North America. With the advent of the Depression, however, significant changes occurred as publishers responded to the public's growing appetite for escapist entertainment.

Banff Centre for the Arts (Banff School of Fine Arts, 1933-89). In 1991 one of three divisions of the Banff Centre for Continuing Education, so named in 1978 when the Alberta Legislature proclaimed the Banff Act establishing the Banff School of Fine Arts as an autonomous institution.

By far the largest part of that body of folksongs of which the words originated in Canada. The tunes for practically all of them are borrowed from old Irish folksongs.

The Irish component in the population of Canada is the fourth largest (after English, French, and Scottish) and one of the oldest. Irish fishermen settled in Newfoundland in the early 17th century.

Accordion. Portable free-reed bellows-operated instrument patented in Austria in 1829 by Cyril Demian.

 The earliest printed image relating to Canada is a bird's-eye view of Hochelaga and environs, published by Giovanni Ramusio in Venice in 1556.

CBC recordings. In 1945, in Montréal, the Canadian Broadcasting Corporation produced its first music recordings intended for broadcast abroad and in Canada.

The first black in Canada was Matthew da (de) Costa, a former Portuguese slave and fisherman, who sailed to Port Royal in 1605 (or 1606) to serve as a translator for Samuel de Champlain.

CBC Radio Orchestra (CBC Vancouver Chamber Orchestra 1938-80; CBC Vancouver Orchestra 1980-2000). Longest-lived regularly performing Canadian radio orchestra, and last remaining radio orchestra in North America.

Choral singing; Choirs. Canada's choirs have contributed significantly to religious, educational, and concert activities within the country, and some have earned high reputations abroad.

Inuktitut is an Indigenous language in North America spoken in the Canadian Arctic. The 2016 census reported 39,770 speakers, of which 65 per cent lived in Nunavut and 30.8 per cent in Quebec. Inuktitut is part of a larger Inuit language continuum (a series of dialects) stretching from Alaska to Greenland. Inuktitut uses a writing system called syllabics, created originally for the Cree language, which represent combinations of consonants and vowels. The language is also written in the Roman alphabet, and this is the exclusive writing system used in Labrador and parts of Western Nunavut. Inuktitut is a polysynthetic language, meaning that words tend to be longer and structurally more complex than their English or French counterparts.