Stephen Leacock

A prolific magazine supplier of humorous fiction, literary essays and articles on social issues, politics, economics, science and history, Leacock claimed near the end of his life, "I can write up anything now at a hundred yards."

Leacock, Stephen
Leacock was the English-speaking world's best-known humorist in the years 1915-25. Painting by Edwin Holgate (courtesy National Gallery of Canada).
Leacock Historic Site
This plaque from the Historic Sites and Monument Board of Canada sits at the head of the walkway leading to Stephen Leacock's Orillia home (now the home of the Leacock Museum). Image: Chantal Gagnon
Leacock House
The Leacock House was built on the shore of Old Brewery Bay. Image: Chantal Gagnon
Stephen Leacock
A plaster bust of Leacock by Orillia artist Elizabeth Wyn Wood is displayed in the library of what is now the Leacock Museum. Courtesy: Leacock Museum
Nonsense Novels
An early cover of Stephen Leacock's second work of fiction, Nonsense Novels. Courtesy: Leacock Museum
Extenuating Circumstances.
A large wooden sculpture by Rodney Frost graces the sunroom of the Leacock Museum - the sculpture illustrates Frost's interpretation of various scenes from Sunshine Sketches of a Little Town. A handcrank on the front of the sculpture turns the large piece into an automata or crank toy, with moving parts that animate scenes from the book. Courtesy: Rodney Frost / Leacock Museum

Stephen Butler Leacock, humorist, essayist, teacher, political scientist, historian (born 30 December 1869 in Swanmore, England; died 28 March 1944 in Toronto, ON). The recipient of numerous honorary degrees, awards and distinctions (the Lorne Pierce Medal, the Governor General's Award, a postage stamp issued in his honour, the Stephen Leacock Memorial Medal for Humour established in his honour), Stephen Leacock was the English-speaking world's best-known humorist between 1915 and 1925.

Early Life and Education

Stephen Leacock was born in Swanmore, England, to Peter Leacock and Agnes Butler, the third of eleven children. When he was six, his family emigrated from England to Canada and settled on a hundred acre farm near Lake Simcoe, Ontario. In 1878, his father abandoned the family, leaving his mother to tend to eleven children.

Stephen Leacock began his education locally and later attended Upper Canada College, in Toronto. In 1887, he enrolled at the University of Toronto, where he studied modern and classical languages and literature. He excelled as a student and graduated from University College in 1891 with a Bachelor of Arts degree with high honours in Modern Languages.

In the 1890s, Leacock began publishing humour pieces, which appeared in publications such as Truthand Life in New York City and Grip magazine in Toronto. Although he was developing a reputation as a great wit in the literary world, Leacock’s central ambitions were still in the field of academics. In 1899, he was accepted into a PhD program at the University of Chicago, where he studied economics and political science under the political scientist and sociologist Thorstein Veblen, who coined the phrase “conspicuous consumption” in his widely influential book The Theory of the Leisure Class (1899). In 1899, Leacock married the actress Beatrix Hamilton. They went on to have one son, Stephen Lushington Leacock, who was born in 1915.

In his third year at University of Chicago, Leacock joined McGill University as a special lecturer in political science and history. In 1903, he completed his doctoral dissertation, The Doctrine of Laissez-Faire and was granted his PhD magna cum laude. That same year he took a job as a full-time assistant professor at the McGill Department of Economics and Political Science. He rose quickly to become department head, where he remained until his mandatory retirement in 1936.


A prolific magazine supplier of humorous fiction, literary essays and articles on social issues, politics, economics, science and history, Leacock claimed near the end of his life, "I can write up anything now at a hundred yards." Most of his books are collections of these magazine pieces.

This was not the case for his first book, Elements of Political Science (1906), a workmanlike treatment of its subject. Although he was not an original or particularly incisive political economist, Leacock's professional opinions on matters such as the need for a gold standard have proved prophetic in their common sense approach to what he considered a jungle of statistics. Elements of Political Science became a widely read university textbook for 20 years after its publication. It was Leacock’s best-selling book in his lifetime.

Leacock’s writings on the theoretical and technical aspects of humour are similarly refreshing for their accessibility, as are his views on education. He was politically active in the Conservative Party in both his home riding in Orillia, Ontario and nationally. In the 1911 general election, his writings and public addresses on the issue of reciprocity helped defeat Sir Wilfrid Laurier's Liberal government. Although Leacock was a man of many seeming contradictions, generally his stance was traditionally conservative. An old-school Tory, he valued the community over the individual, organic growth over radical change, and the middle way over extreme deviation. Such values form the basis of Leacock's satiric norm, the authorial position from which he attacked rampant individualism, materialism and worship of technology. Although frequently unfaithful to his credo that humour be kindly — he was at times racist, anti-feminist and downright ornery — the unique alchemy of compassion and caustic wit remain the elements which accord his humour a timelessness few Canadian writers have achieved.

Two Masterpieces

Stephen Leacock’s two masterpieces are Sunshine Sketches of a Little Town (1912) and Arcadian Adventures with the Idle Rich (1914). The first humorously anatomizes business, social life, religion, romance and politics in the typical, small, Canadian town of Mariposa, whose name has attained mythic significance in the Canadian psyche. Perhaps the greatest creation of Sunshine Sketches is the narrator himself, who, in his affection for and bemusement at the community of Mariposa that he so admirably represents, reveals the essential Leacock. Arcadian Adventures dissects life in an American city with sharper satire, less qualified by the author's affection and pathos. Taken together, these two books reveal the imaginative range of Leacock's vision — the nostalgic concern for what is being lost with the passing of human communities and his fear for what may issue. However, Leacock also believed that the best humour resides at the highest reaches of literature.

Later Career

Leacock maintained a prolific career in writing, teaching and public life. He was a founding member of The Canadian Author’s Association in 1921. In 1925, Leacock’s wife died of breast cancer, which prompted him to become a vocal proponent and fundraiser for breast cancer research and awareness. In 1928, he moved to Old Brewery Bay in Orillia, Ontario, where he built a house. His house was later converted into a museum and was declared a National Historic Site of Canada in 1992.


The Stephen Leacock Award for Humour was established in 1947 and awards an annual cash prize to the best humorous book by a Canadian author, selected by a jury. In 1968, Stephen Leacock was designated a National Historic Person. On the centenary of Leacock’s birth, 1969, the Government of Canada issued a six cent stamp to commemorate his life and career.

Selected Books

Nonsense Novels (1911)

Moonbeams from the Larger Lunacy (1915)

Further Foolishness (1916)

Essays and Literary Studies (1916)

Frenzied Fiction (1918)

The Unsolved Riddle of Social Justice (1920)

My Discovery of England (1922)

The Garden of Folly (1924)

Winnowed Wisdom (1926)

Short Circuits (1928)

Lincoln Frees the Slaves (1934)

Humor: Its Theory and Technique (1935)

Humour and Humanity (1937)

My Discovery of the West (1937)

Too Much College (1939)

My Remarkable Uncle (1942)

Our Heritage of Liberty (1942)

Happy Stories (1943)

How to Write (1943)

Last Leaves (1945)

The Boy I Left Behind Me (1946) (an unfinished autobiography).

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Further Reading

  • Donald Cameron, Faces of Leacock (1967); Robertson Davies, Stephen Leacock (1970); D. Staines, Stephen Leacock: A Reappraisal (1987).

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