Browse "Indigenous Art"
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History of Indigenous Art in Canada
The history of Indigenous art in Canada begins sometime during the last Ice Age between 80,000 and 12,000 years ago. To date, however, the oldest surviving artworks (excluding finely crafted, aesthetically significant stone tools) are datable to no earlier than 5,000 years ago.
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Birchbark Etching
Birchbark etching is a traditional cultural practice used by some Indigenous peoples in Canada, including the Dene, Anishinaabe and nations in the Wabanaki Confederacy (see also Mi’kmaq; Wolastoqiyik (Maliseet); Abenaki). Some functional vessels such as baskets and bowls were adorned with cultural iconography and floral motifs, though not all. During the 19th century, narrative-driven storytelling began to appear on the surface of functional birchbark objects. Some of these objects were sold as souvenirs to European settlers or visitors. The practice was in decline for much of the 20th century. However, the sustained efforts of artists and makers led to its reestablishment around the turn of the 21st century. Since then, birchbark etching has undergone a series of profound changes. It now appears in contemporary fashion, jewellery design, cosplay, fine art and more. The practice is also prevalent among major Indigenous art markets, fairs and competitions. Today, birchbark etching has become a strong example of Indigenous cultural renewal in Canada.
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Inuit Art
The history of Inuit cultures and the art of the various regions and times can only be understood if the myth of a homogeneous Inuit culture is discarded altogether. Though it has not been possible to determine the exact origin(s) of the Inuit, nor of the various Inuit cultures, five distinct cultures have been established in the Canadian area: Pre-Dorset , Dorset , Thule, Historic and Contemporary.
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Maisie Hurley
Maisie Hurley, née Maisie Amy Campbell-Johnston, Vancouver-area political activist, Indigenous ally (see Indigenous Peoples in Canada), newspaper founder and art collector (born 27 November 1887 in Swansea, Wales; died 3 October 1964 in North Vancouver, British Columbia). Although Hurley had no formal legal training or law degree (see Legal Education), she worked on several legal cases and advocated for Indigenous peoples’ basic human rights as well as for changes to the Indian Act. In 1946, Hurley started a newspaper called The Native Voice that aimed to bring attention to important issues concerning Indigenous communities across Canada (see Rights of Indigenous Peoples in Canada). In 2011, Hurley’s collection of Indigenous art was displayed at the North Vancouver Museum.
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National Aboriginal Veterans Monument
The National Aboriginal Veterans Monument was unveiled in 2001 in Ottawa to commemorate the contributions made by Indigenous peoples in Canada during the First World War, Second World War and Korean War. The monument, a bronze statue with a granite base, was created by Indigenous artist Noel Lloyd Pinay of the Peepeekisis First Nation in Saskatchewan. It is situated in Confederation Park, directly across from the Lord Elgin Hotel. It is the first monument dedicated to Indigenous veterans in Canada.
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Six Nations Pottery
Six Nations of the Grand River in Southern Ontario is the largest reserve community by population in Canada. It is the location for one of Canada’s largest cultural revitalization movements. During the mid-20th century, artist Elda “Bun” Smith began collecting pottery shards that she found throughout Six Nations. With the assistance of potter Tessa Kidick, Smith and other local potters helped to revitalise pottery on Six Nations. They influenced future generations of artists. Six Nations pottery is now one of the most collected ceramics in Canada. It features in gallery and museum collections around the world.
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